Recommended Reading: The Orphan Master’s Son author Adam Johnson penned a long profile of Kim Jong-Il’s “personal chef, court jester, and sidekick,” and it’s every bit as wild as you’re probably imagining.
“This is what set Geeshie and Elvie apart even from the rest of an innermost group of phantom geniuses of the ’20s and ’30s. Their myth was they didn’t have anything you could so much as hang a myth on.” John Jeremiah Sullivan investigates more mysterious musicians in The New York Times Magazine. Bonus: You can listen to their music as you read. For more of Sullivan’s music journalism, read his piece on the origins of ska.
“It’s hard to say what truly moves the needle. Bookstagrammers help in that they get images of your book cover out there (and they make them look so pretty!), and readers need to see a book a couple of times, in a couple of different places, before they are inclined to buy it.” Author Brenda Janowitz in Forbes about the surprising success of Instagram as a book marketing platform. See also Davey Davis from our own pages on the Insta-pornification of food.
New this week: Pushkin Hills by Sergei Dovlatov; The Divorce Papers by Susan Rieger; Hyde by Daniel Levine; Cambridge by Girl, Interrupted author Susanna Kaysen; Decoded by Mai Jia; Visible City by Tova Mirvis; The Moon Before Morning by W.S. Merwin; and Caribou by Charles Wright.
Portland-based Publication Studio is hosting a whirlwind series of events in New York next week. They kick off the weekend with an evening mixer at the Museum of Modern Art on Thursday, April 19; continue with a conversation between landscape architect Diana Balmori and PS co-founder Matthew Stadler at Printed Matter, on Friday, April 20th; and end with a lavish sit-down dinner, cooked by Ben Walmer of the Highlands Dinner Club in the Harlem speakeasy where HDC got its start, on Saturday, April 21.