After reading through two new biographies of Sylvia Plath — American Isis and Mad Girl’s Love Song — Terry Castle concludes that “nothing about her life or legacy seems wholesome or resolved.” (Related: our own Hannah Gersen talking with Pain, Parties, Work author Elizabeth Winder.)
Emily Witt checks out Melville House’s new Hybrid Books for The New York Observer. The publisher says they are “an innovative publishing program that gives print books the features of enhanced eBooks.”
Phillip Pullman, author of the much-beloved His Dark Materials series, has resigned as a patron of the Oxford Literary Festival due to the festival’s practice of not paying its guest authors. This move comes only one week after Pullman and the Society of Authors released an open letter to The Publisher’s Association and the Independent Publisher’s Guild, demanding authors receive fair compensation for their work.
Waxwing, a new literary journal, has published its first issue online. The journal’s editors state that their mission is “to include American writers from all cultural identities — in terms of race, ethnicity, indigenous tribe, gender, class, sexuality, age, education, ability, language, religion, and region — alongside international voices, published bilingually.”