We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.
Google put up a special Shakespeare page for easy access to all of his plays through Google Book Search. The Book Search blog has additional details.Latest literary trend story: senators writing books. “About 30 of the 100 currently serving U.S. senators have authored books at some point in their careers, and the number is growing.”A literary trend story continues: Product placement in novels. Earlier instances include efforts from Ford and BMW.In the Guardian, “An American judge intervening in a long-simmering feud has ruled that the rights to John Steinbeck’s most famous novels… should be seized from his publisher and handed to his descendants.”And finally, there’s Ed’s Twenty-One More Reasons Why Litbloggers Are Evil & Unethical
Have you ever wondered what The Great Gatsby would sound like? Designer Vladimir V. Kuchinov made The Generative Gatsby, a book that features typography based on famous 1920s jazz songs. “The following work is a visual experiment, a study of how music of this era, its rhythms, syncopations and patterns could alter prose to a new typographic frontiers keeping content legible as it could be,” he writes on his website.
Why are Americans so enamored by immigrant fiction but rarely read anything in translation? David Naimon and Gary Shteyngart discuss this and more in the latest Between The Covers podcast. Shteyngart’s latest book, Little Failure, was part of our 2014 book preview.
Jeff Sharlet had a challenge for his creative nonfiction students at Dartmouth College. Sensing that journalism had become too “dull,” too mired in a “culture of professionalism” divided “between reporting and ‘storytelling,’” Sharlet asked his students who didn’t “know [any] better” to create a magazine of their own. The result, 40 Towns, embraces “the right conditions” of literary creation – immersion, journalism, regionalism and “a term of revision” – to present a “collection of documents, artifacts of real life” about the Upper Valley.