Adding to a review by Pamela Erens for The Millions, Zoë Heller reads Janet Malcolm’s Forty One False Starts for the New York Review of Books. Among other things, she concludes that the writer’s job, at least in Malcolm’s estimation, is “to vanquish mess.” (You could also read a review in The Nation I wrote about a few weeks ago.)
“A secret, writerly sympathy for the hoarder”
Kickstarter: Blessing or Curse?
Is Kickstarter a viable tool for self-published authors, or is it instead “a bit of a nightmare?”
Calling All Grammar Nazis
To quote Raymond Chandler: “When I split an infinitive, God damn it, I split it so it will remain split.” Or, dispelling grammar myths, like not ending sentences with prepositions.
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The Poetics of K-Pop
"In poetry, I realized again and again that 'failures' were in fact openings to more possibilities." Emily Yoon reflects on the poetic consequences of K-Pop for the Paris Review.
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Writerly Advice
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