Adding to a review by Pamela Erens for The Millions, Zoë Heller reads Janet Malcolm’s Forty One False Starts for the New York Review of Books. Among other things, she concludes that the writer’s job, at least in Malcolm’s estimation, is “to vanquish mess.” (You could also read a review in The Nation I wrote about a few weeks ago.)
“A secret, writerly sympathy for the hoarder”
Jeremy McCarter on James Baldwin’s New Anthology
At Newsweek, Jeremy McCarter reviews The Cross of Redemption, a new anthology of James Baldwin’s previously uncollected essays and public letters: “At a time when serious people claim we live in a ‘post-racial’ society, the reappearance of Baldwin’s writing—insistent, accusatory, outraged—feels like a terrible family secret coming to light in an Ibsen play, or Banquo’s ghost showing up to spoil the party.”
●
●
Group Activity
In the next few days, ee’ll be asking members of The Millions Facebook group to help us with an exciting project that we’ve got in the works. If you want to join in the fun, join the group.
●
●
More BEA coverage
●
●
Impolitic
Is all literature political? Is this political? Are you political?
●
●
Silly Prizes
In a piece with which our own Mark O’Connell probably agrees, Tim Parks explains the Nobel Prize for Literature’s inherent silliness.
●
●
More Marginalia
Sam Anderson’s brilliant Year in Marginalia inspires MobyLives to announce the “Melville House Marginalia Contest.”
Dead Men May Tell Tales
“The eradication of Terry Pratchett’s unfinished works, the zeros and ones of his hard drive ground into the earth at the Great Dorset Steam Fair, is an imaginative exception to the rule.” The Paris Review questions how we publish an authors posthumous works and whether there’s a better way to do so. Pair with: our 2017 Select Literary Obituaries.