Tonight: “Sharp: A Discussion of Women and Criticism,” a panel at the Housing Works Bookstore in New York featuring writers Kate Bolick, Laura Miller, Michelle Orange, and more. It begins at 7 p.m.; more information can be found here.
“This poem fosters reading again and again, because interpretation is always reaching its limits: eventually, one runs up against a secret gesture to which the only response is either to acknowledge that there is some other conscious being that could make or decipher it, or to fantasize the being that could.” A long, worthwhile review of R.F. Langley’s Complete Poems from 3:AM Magazine.
“They found, unsurprisingly, that blocked writers were unhappy. Symptoms of depression and anxiety, including increased self-criticism and reduced excitement and pride at work, were elevated in the blocked group; symptoms of obsessive-compulsive disorder, such as repetition, self-doubt, procrastination, and perfectionism, also appeared, as did feelings of helplessness and ‘aversion to solitude’—a major problem, since writing usually requires time alone.” On the causes of writer’s block.
In a piece for The New York Times Jennifer Moses takes a tour of south Louisiana, “a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’ talent and inspiration and, in turn, is reflected back into the world through their words,” and of the past haunts of Tennessee Williams, Anne Rice and Kate Chopin.
The Washington Post offers a long profile of the still underappreciated Edward P. Jones. We learn he hasn’t put a word of fiction to paper in four years but has been writing in his head. “‘I write a lot in my head,’ he says. ‘I’ve never been driven to write things down.'” (via @keelinmc)