We like big books and we cannot lie. But are books just continuing to get longer and longer? A new survey of bestsellers has concluded that the average book is now 25% bigger than its counterpart fifteen years ago. The Guardian investigates. Mark O’Connell at The Millions has his own theory about long books.
Who has a bigger vocabulary: Shakespeare or André 3000? It’s actually Outkast. Data scientist Matt Daniels created an infographic that charts 85 rappers’ unique vocabulary in their first 35,000 lyrics. Outkast uses 5,212 unique words; whereas, Shakespeare only uses 5,170. But Aesop Rock beats the Bard by more than 2,000 words with a count of 7,392 unique words.
The New Yorker is not a magazine for the general public, writes Summer Brennan in the Literary Hub. “Because The New Yorker is nothing if not a view of the world from a comfortable vantage point. The intensity of the features is balanced by reviews of Manhattan restaurants and jokes about how busy we all are. Print magazines are tribal, and we swear our allegiance by buying them and opening them up. The New Yorker assumes that I am politically liberal and have read Chekhov’s The Seagull, and The New Yorker is right.”
Whether or not you knew that Rose Williams, sister of Tennessee, inspired the character of Laura Wingfield in The Glass Menagerie, you’ll probably appreciate this Paris Review elegy, which goes through Rose’s short life and the effect it had on her brother.
This week, Football Book Club will be reading Going Clear: Scientology, Hollywood, and the Prison of Belief by Lawrence Wright and posting essays about Brain Fever by Kimiko Hahn — its selection from last week — and life without the NFL. Going Clear was a National Book Award and National Book Critics Circle Award finalist and has been turned into a documentary by HBO.