New! This! Week! Forty-one False Starts: Essays on Artists and Writers by Janet Malcolm, Red Moon by Benjamin Percy, Pacific by Tom Drury, Love Is Power, or Something Like That by A. Igoni Barrett (read his piece at The Millions), and Dossier K, a memoir from Novel winner Imre Kertész.
Tuesday New Release Day: Malcolm, Percy, Drury, Barrett, Kertész
Galway Kinnell Passes Away
“To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment.” Galway Kinnell, whose Selected Poems won a Pulitzer in 1983, passed away Tuesday.
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Tuesday New Release Day: Doctorow; Joyce; Cantor; Creeley; Urquhart; Russell; Vonnegut; Kushner
Out this week: Andrew’s Brain by E.L. Doctorow; Perfect by Rachel Joyce; A Highly Unlikely Scenario by Rachel Cantor; Selected Letters of Robert Creeley; The Visionist by Rachel Urquhart; and new paperback editions of Karen Russell’s Vampires in the Lemon Grove, Kurt Vonnegut’s Letters and Year in Reading favorite Rachel Kushner’s The Flamethrowers.
And Hobbes Appears Where, Exactly?
At HTML Giant, Mike Kleine writes a 25-point review of The Life of Pi, by Yann Martel. If you need a refresher, you might want to check out our rundown of tiger-based literature.
Tuesday New Release Day: Lipsyte, Carson, Silver, Hamid, Miller, Oates, Graver
Sam Lipsyte’s new collection The Fun Parts is out this week. Also out are Red Doc> by Anne Carson, Mary Coin by Marisa Silver, How to Get Filthy Rich in Rising Asia by Mohsin Hamid, Jacob’s Folly by Rebecca Miller, The Accursed by Joyce Carol Oates, and The End of the Point by Elizabeth Graver.
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The British Library Goes Digital
The British Library is launching a new iPad app that will eventually feature over 60,000 19th century books.
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Thomas Pynchon: The Comic Strip
Galley Cat highlights a 2003 comic strip, “Thomas Pynchon, Man of Mystery,” that is unfortunately yet to go into syndication.
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The Lonesome Death of Lit-Fic
Guernica picks a scuffle with the VQR‘s Ted Genoways over what’s killing literary fiction. (Writers? Editors? M.F.A.s? How about late capitalism? Or the term “literary fiction?” Or the surfeit of articles about its demise?)