F. Scott Fitzgerald called himself “a moralist at heart,” which might be why Kathryn Schulz finds The Great Gatsby to be “aesthetically overrated, psychologically vacant, and morally complacent.”
This Side of Criticism
A Little Too Into It
Novels that focus on obsessive characters hinge on persnickety details. The need to depict accurately the mind of an obsessive demands that the novelist overemphasize the trifling and tangential. In The Kenyon Review, Vanessa Blakeslee reviews a new and representative example of the form, The Understory by Pamela Erens. Sample quote: “When the smaller steps of daily life are magnified, does that narrative reach its greatest potential for a unified and powerful resonance?” FYI, Erens has written for us.
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Franzen on Film
The Corrections might never make it to screen, but Jonathan Franzen’s New Yorker essay on songbird poaching, “Emptying the Skies” (behind the paywall), is already a documentary. The film follows a group of bird lovers trying to save the endangered animals and even includes an interview with Franzen. Although the documentary just found a distributor, there is no word on an official release date. Until then, here’s the trailer.
Best of Electric Lit
Here’s a look at the top-ten most read articles from Electric Literature of 2015, most of which we’ve already told you about and all of which is worth a revisit. Bonus: here’s a Best of Brain Pickings, as well.
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Raising L.A.’s Literary Profile
Wednesday night at the Hammer Museum, the editors of the new Los Angeles Review of Books explained how their new web-only book review will raise L.A.’s literary profile.
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How Do You Like Your Copy?
Lit Hub has brought Benjamin Dryer and Mary Norris together to discuss their love of editing, copy mistakes writers often make, and more.
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