F. Scott Fitzgerald called himself “a moralist at heart,” which might be why Kathryn Schulz finds The Great Gatsby to be “aesthetically overrated, psychologically vacant, and morally complacent.”
“This year, Free Comic Book Day turns sixteen years old. The good news: It can drive itself to swim practice now!” NPR’s Monkey See blog provides an irreverent and useful guide to Free Comic Book Day, which is tomorrow, May 6th. “When you read a comic, you are accepting a direct message from one singular honest soul,” Paul Morton wrote in our own pages a few years back.
Why do Americans read so few translated works? A lot of reasons come to mind, but one is that translated books are often the purview of small publishers, who don’t have the same marketing budgets as the larger companies in the industry. At The New Yorker’s Currency blog, Vauhini Vara looks at the statistics compiled by Three Percent, a database at the University of Rochester that tracks publications of translated works in the country. Related: Oliver Farry’s interview with the Portuguese writer António Lobo Antunes.
Writing in the London Review of Books (Reg. Req.), Evgeny Morozov clued me onto how “scientists at UCLA – with funding from the Chinese government – have built an ‘image to text’ system that automatically produces text summaries of what is taking place in captured video.” A similar technology was also developed by NYU student Matt Richardson, whose “descriptive camera” can “automatically describe the scene in a camera’s viewfinder, which, when the image was uploaded, would make it easier to find.” Meanwhile one Twitter is describing typical Instagram shots in 140 characters or fewer.
Visual effects virtuoso Ray Harryhausen died this week at the age of 92. Harryhausen was first inspired to take up movie-making when he watched King Kong with his childhood friend Ray Bradbury, and his pioneering career spanned over forty years. Over at Vulture, you can check out a couple of his most well-known scenes. To my mind, though, his best work will always remain Galgo’s creepy, stretch-tastic wizard hand from The 7th Voyage of Sinbad.