F. Scott Fitzgerald called himself “a moralist at heart,” which might be why Kathryn Schulz finds The Great Gatsby to be “aesthetically overrated, psychologically vacant, and morally complacent.”
This Side of Criticism
Pentecosts
On bad days, when his writer’s block was at its worst, Hart Crane wrote bizarre, feverish prose poetry as a way of juicing his creative synapses. Understandably, he never published this poetry, but now, thanks to the Harry Ransom Center, we can read it in its original form. Sample quote: “I held the crupper by a lasso conscripted from white mice tails spliced to the fore-top gallant.”
Let the Wild Rumpus Begin
Dave Eggers shares the skinny on his forthcoming Where the Wild Things Are project – including an excerpt of the novel and the killer trailer for the movie version – with The New Yorker.
Paul Harding’s Book Notes Playlist
Enon author Paul Harding made a playlist to accompany his latest book, which was recently reviewed on our site by Joseph M. Schuster.
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The Harper Lee Industry Chugs On
Thirty-eight letters written from the To Kill a Mockingbird author to a friend from 2005-2010 are up for auction this week, including Harper Lee‘s reaction to Barack Obama‘s inauguration. See also: this close reading of the birds themselves.
The Mask
Considering his experience as a musician and comedian, it makes sense that Jacob Rubin wrote his new novel about a performer. The Poser depicts the tumultuous career of a talented impressionist. At Bookforum, Rubin talks about the novel, his career as a screenwriter and his knack for impressions as a child. You could also read his interview with Reif Larsen here at The Millions.
Once Upon A Time
Ignore films like Memento when writing, Steve Almond argues, and instead focus on old-fashioned devices like narrative, plot, and character development.
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