“No one took this further, with more imagination and daring…At a time when American groups would often dress down—affluent suburban kids disguised as Appalachian farmers or Canadian lumberjacks – Bowie quite deliberately dressed up.” David Bowie’s sartorial legacy.
The Man Who Clothed the World
What They Share
At The Rumpus, our own Nick Ripatrazone writes about his twin daughters, Amelia and Olivia, who taught him that, when it comes to twins, “there are two babies but three identities: one for each baby, and then the twin identity, an amorphous, shared mass of personality and action that makes Amelia fuss one night and Olivia the next.” The essay nicely complements Nick’s Millions piece on Andre Dubus.
Reading and Rock and Roll
The latest episode of WNYC's Soundcheck features Jennifer Egan discussing her rock-inflected novel A Visit from the Goon Squad and Bookslut's Michael Schaub talking up other "essential rock fiction." (Thanks, Derek)
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Literary Louisiana
In a piece for The New York Times Jennifer Moses takes a tour of south Louisiana, "a place that produces writers the way France produces cheese — prodigiously, and with world-class excellence — a place that calls on its writers’ talent and inspiration and, in turn, is reflected back into the world through their words," and of the past haunts of Tennessee Williams, Anne Rice and Kate Chopin.
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Book Picker Book Picker Pick Me A Book
It's time for NPR's Book Concierge again! The interactive site will help you sort the year's releases by about a gazillion criteria, including "book club ideas" and the seriously great "seriously great writing."
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Hardcover, Paperback and The Economist
The Economist gives a succinct explanation of "why books come out in hardback before paperback," but their answer feels almost too simple. For a fuller understanding of the paperback / hardback question, pair The Economist's article with Nichole Bernier's Millions piece on "The Point of the Paperback."
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“I don’t believe the reader needs to know anything about me.”
Ben Lerner has a story [subscription required] in this week's New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in "activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting."
Producing The Counselor
When The Counselor (trailer here) opens in theaters this month, the occasion will mark a career milestone for Cormac McCarthy. The 80-year-old novelist has been writing original screenplays since the 1970s, but only one of them – a made-for-TV movie called The Gardener’s Son – was produced before this latest effort. Over at The Wall Street Journal, Alexandra Alter takes a look at the author’s involvement in the production of The Counselor, as well as its reception by several film industry insiders and devout McCarthy fans. ("McCarthy writing a sex scene is maybe not a great idea," one of them says.)
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