“Why, for instance, did I dream I had surged up through the lawn of Toronto’s Victoria College and clomped into the library, decomposing and covered with mud? The librarian didn’t notice a thing, which, in the dream, I found surprising. Was this an anxiety dream? If so, which anxiety?” Margaret Atwood’s dream diary.
The Interpretation of Dreams
Publishing’s Payout
Publishing is a business in which some authors make seven to eight figures, some executives make six figures, most editors make five figures, and most interns make nothing.
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The Gatekeepers
“The state of diversity and equity in publishing is grim and has been for a long time—since the industry’s founding back in the day.” Camille Rankine, Morgan Parker, Year in Reading alumnus Alexander Chee, and seven other writers talk about diversity in publishing.
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“It really is a different life”
Donna Tartt has a new novel out, and with it come new interviews. At Salon, Laura Miller sits down with the author behind The Secret History.
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Another Place and Time
Edmund White considers writers’ obsession with New York City in the 1970s, with photography by Peter Hujar. As White puts it, that was “a place and a time in which, rich or poor, you were stuck together in the misery (and the freedom) of the place, where not even money could insulate you.”
Knausgaard: Horror and Delight
The third volume of Karl Ove Knausgaard‘s My Struggle was released on Tuesday. In a recent review for The Daily Beast, Ted Gioia argues that “we read [My Struggle] with horror and delight, because the protagonist—who is Karl Ove Knausgaard himself—is determined to reveal every embarrassing and shameful detail of his past life. Imagine a literary novel with grand Proustian ambitions, but combined with the ethos of those creepy Jackass-type reality shows in which contestants get a dose of renown by making fools of themselves. That’s the spirit of My Struggle.” For a second opinion, be sure to check out our own review of the novel’s earlier installments.