“And journalists, the ones who do it for a living, will continue to have their faith in the profession shaken, as they panic and let their own standards slip in order not to be embarrassed by Reddit at 2:43 in the morning. But unlike high-frequency traders, Internet entrepreneurs, and online vigilantes, journalists have a stake in those standards, which are the only reason for having professionals do the job.” Fast news, Twitter, and journalism in the digital age.
“‘It is the novelist’s innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.’ The autobiography of the imagination then is an autobiography of our base desires, the things we haven’t done but have longed for. It is our fantasies, our secrets from which we curate by redaction how someone else sees us. It is an autobiography of instinct, desire.” Emilia Phillips on poetry as the autobiography of the imagination, over at Ploughshares.
It's a bumper crop of new books this week: Hari Kunzru's Gods Without Men, Kathryn Harrison's Enchantements, László Krasznahorkai's Satantango (reviewed here), and Adam Levin's Hot Pink. Also out this week are Alain de Botton's Religion for Athiests and Jonathan Safran Foer and Nathan Englander's New American Haggadah.
As the New York Times reports, Anthony Bourdain will soon be acquiring books for Ecco, a HarperCollins imprint. When asked what types of books he'll publish, the celebrity chef turned travel host replied, "an initial list composed of chefs, enthusiasts, fighters, musicians and dead essayists."
Many writing guides feature long explainers that detial how to craft a great plot. They’ve turned the phrase “rising action” into a buzzword in many classes. At Page-Turner, a short comic illustrating major plots that don’t work, including one in which the protagonist “ignores the problem until it goes away.”