“And journalists, the ones who do it for a living, will continue to have their faith in the profession shaken, as they panic and let their own standards slip in order not to be embarrassed by Reddit at 2:43 in the morning. But unlike high-frequency traders, Internet entrepreneurs, and online vigilantes, journalists have a stake in those standards, which are the only reason for having professionals do the job.” Fast news, Twitter, and journalism in the digital age.
Slow Down
Writing and Reading Race
Recommended Reading: Katy Simpson Smith on who can fictionalize slavery and writing across time and race. Our own Edan Lepucki writes on reading slavery in fiction.
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Nimble Publishing
VQR has published an essay by Chris Fischbach of Coffee House Press that provides an overview of some of the innovative small presses at work today. Fischbach specifically mentions Tin House, Melville House and Two Dollar Radio as "nimble" publishing houses that "can try things big publishers might not find worthwhile or consistent with the aims of a traditional publishing program," such as producing micro-budget films or illustrated versions of classic works of literature.
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Clickity Clack
Where did Modernism come from? Did it spring from the alienation engendered by the nineteenth century? Or did it spring instead from -- as Hannah Sullivan argues in her new book, The Work of Revision -- the typewriter?
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Angst Extra
Poet Aaron Belz posted the following ad on Craigslist: "Poet available to begin work immediately. Capable in rhyme and meter, fluent in traditional and contemporary forms. Quotidian observations available at standard rate of $15/hour; occasional verse at slightly higher rate of $17/hour. Incomprehensible garbage $25/hour. Angst extra." It worked. So far he's written insults and responses to Aubrey Plaza. At The Atlantic, Micah Mattix wonders if this is a new marketing model for artists.
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Books, Charity, and Africa
The Hipster Book Club is doing a literary-themed charity drive for the famine in the Horn of Africa.
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