Following the successes of Moneyball and The Art of Fielding, young writers with an eye on their book sales are growing more interested in writing baseball books. Fortunately for them, Luke Epplin wrote a guide.
The folks at Write By Night are embarking on a quest to organize State Writing Resources (“from conferences to local critique groups to literary magazines”) for all fifty states in our nation. The first two destinations on the docket? Alabama and Alaska, respectively.
n+1 co-editor Keith Gessen was arrested in the midst of today’s Occupy Wall Street demonstrations. This video depicts part of the scene; he is the first seated man to be pulled away by police. This video depicts him making a statement (in handcuffs) at the 5:05 mark. (via)
“I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense.” A Vanity Fair interview with Emily Nemens, The Paris Review’s new editor. And here’s a list of 20 reasons you should absolutely be reading literary magazines.
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.