Following the successes of Moneyball and The Art of Fielding, young writers with an eye on their book sales are growing more interested in writing baseball books. Fortunately for them, Luke Epplin wrote a guide.
Secrets of the Game
Write Across America
The folks at Write By Night are embarking on a quest to organize State Writing Resources (“from conferences to local critique groups to literary magazines”) for all fifty states in our nation. The first two destinations on the docket? Alabama and Alaska, respectively.
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Publishing’s Gender Gap
At Guardian, Lionel Shriver (America’s best writer?) shares her frustrations in publishing as a female novelist: “A female novelist would never enjoy a Franzen-scale frenzy of adulation in America…”
Face/Off
If you (for some reason) want to know more about Vladimir Putin, you could do worse than reading Masha Gessen’s biography. At The Rumpus, Kevin Thomas reviews the book in a novel medium: a cartoon. (You could also read our interview with Gessen.)
Keith Gessen Arrested
n+1 co-editor Keith Gessen was arrested in the midst of today’s Occupy Wall Street demonstrations. This video depicts part of the scene; he is the first seated man to be pulled away by police. This video depicts him making a statement (in handcuffs) at the 5:05 mark. (via)
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The Paris Review Redux
“I hope they also love that experience of surprise and delight and really engaging stories in the fiction sense, but also in the writers at work sense and in the poetic sense.” A Vanity Fair interview with Emily Nemens, The Paris Review’s new editor. And here’s a list of 20 reasons you should absolutely be reading literary magazines.
Honor My Profession
For Your Viewing Pleasure: an animated lecture by Kurt Vonnegut in which he talks about man-eating lampreys and warheads filled with sperm. It is a lot like what it sounds like.
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The Future of the Post-Apocalyptic
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
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Slanting Light and Seedy Motels
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
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