Following the successes of Moneyball and The Art of Fielding, young writers with an eye on their book sales are growing more interested in writing baseball books. Fortunately for them, Luke Epplin wrote a guide.
“Thinking about his films while watching an American film leads to a sobering realization: all the things that Abbas Kiarostami could not show in his films became the only things Hollywood filmmakers chose to show in theirs. What he showed in his films were the things abandoned by Hollywood: conversation, friendship, understanding, compassion, and empathy.” A. S. Hamrah discusses Abbas Kiarostami’s legacy at n+1.
In case you missed it: JK Rowling just released a new Harry Potter short story on her own promotional website. Before you get too excited: the New Republic is less than sanguine, calling it “a marketing scam.” (Code for: not very good writing?) Which is not going to keep me from reading it anyway. Readers with more restraint might note that “You don’t have to be a Barthesian grad student to chafe at Rowling’s impulse to clarify the words on the page.” (Pair with our discussion of fan fiction and the afterlife of literature.)
The 2017 Whiting Award winners were announced tonight at a ceremony in Manhattan, and this year’s list of ten honorees includes Francisco Cantú (The Line Becomes a River), Simone Wright (Of Being Dispersed), Phillip B. Williams (Thief in the Interior), Kaitlyn Greenidge (We Love You, Charlie Freeman), Tony Tulathimutte (Private Citizens), Jen Beagin (Pretend I’m Dead), and Lisa Halliday (Asymmetry) as well as playwrights Clarence Coo, James Ijames, and Clare Barron. The award, which recognizes early-career writers of fiction, nonfiction, poetry, and drama, comes with a $50,000 prize. Excerpts from each writer’s work can be read at The Paris Review.
Read about Hitler’s vacation homes and how they shaped his image via propaganda in an excerpt from Hitler at Home by Despina Stratigakos at The New Republic. We reviewed Ben Urwand’s book The Collaboration: Hollywood’s Pact with Hitler, which discusses other propaganda surrounding the Nazi regime.
We all spend way too much time in airports this time of year, but Brad Leithauser searched for a metaphor about his journeys through BWI. As he writes for The New Yorker, “There was a piquant pleasure on the night when I first put these two experiences—morning churchgoing, evening airport-going—side by side. I’d been idly and only semi-consciously asking myself what these nocturnal intervals at B.W.I. reminded me of, and now, suddenly, I’d located my metaphor.”
“We always try to create the worst opinion of everything there is in the United States, as a response to what they have always done with us. The only difference is that we do not write falsehoods about the United States. I told you that we emphasize the worst things, that we omit things that could be viewed as positive, but we do not invent any lies.” This excerpted interview with Fidel Castro over at The Paris Review is enlightening for its candor and frankness.