Frankenstein was originally a philosophical novel, Michael Saler reveals in his review of The Annotated Frankenstein. Mary Shelley used her monster to comment on the terrors of the French Revolution, patriarchy, social justice, and slavery, he writes.
Philosophy’s Monster
Jonas Take Me Somewhere We Can Be Alone
We knew she was trouble when Taylor Swift joined the cast of the Weinstein’s adaptation of The Giver. Billboard reports that Swift has signed on for an unspecified supporting role along with Jeff Bridges, Meryl Streep, Katie Holmes, and Alexander Skarsgard. The movie will start filming in Cape Town next week.
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Computers Grading Papers?
The Hewlett Foundation is offering $100,000 to anyone who can create an “automated essay grader” (and in the process cost thousands of TAs their jobs).
Choose Your Own Apocalypse: Skynet or Stingrays
With the help of Our Final Hour author Martin Rees, Cambridge will soon open a Centre for the Study of Existential Risk. The Centre will investigate the threats posed by “artificial intelligence, climate change, nuclear war and rogue biotechnology.” To my ears, this sounds an awful lot like Oxford’s Future of Humanity Institute, which was memorably depicted in John Jeremiah Sullivan’s “Violence of the Lambs.”
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What Really Happened in the 1980s
Recommended: Meagan Day on Joan Didion’s essay “In the Realm of the Fisher King,” which you can find in Didion’s collection After Henry.
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Janie Crawford and Tea Cake on Air
To commemorate the book’s 75th anniversary, WNYC and WQXR Radio will present a live radio play of Zora Neale Hurston’s Their Eyes Were Watching God. New Yorkers will be able to catch the broadcast on February 29th and March 1st, and then the rest of the nation can hear it in September.
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Scenes from a Marriage
Recommended Reading: Year in Reading alumna Emily Gould revisits Chris Kraus’s “cult feminist classic” I Love Dick, as it appears for the first time in the UK.
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