“The most important year of life. Every emotion and my life work decided. Miserable and ecstatic but a great success.” What F. Scott Fitzgerald wrote in his financial ledgers the year he married Zelda Sayre and sold This Side of Paradise.
“My parents really don’t like that book. It embarrassed and saddened them and they didn’t understand why I would air my dirty laundry in public. They’ve had some time to sit with it and now they’re more supportive of what I do as a memoirist. I think they see the value of telling your story now. It’s still a tender subject and I wouldn’t say that they exactly love the book now, but at least it’s an open dialogue.” Jillian Lauren speaks on the cost of telling one’s truth publicly and her memoir Some Girls: My Life in a Harem. Pair with a piece by our own Michael Bourne on the art and business of memoirs.
Earlier this month, I wrote about Louis Menand’s recent New Yorker piece about The Life of Saul Bellow, a new biography of the Nobel laureate by Zachary Leader. Now, in the LRB, Andrew O’Hagan reads the book. Sample quote: “Bellow’s community was his subject and his subject was his voice.”
“There are people out there who want you to write their novels for them,” observes professional ghostwriter Sari Botton. Over at Scratch, she shares some advice for breaking into the industry. Also, the magazine has made her longer article about “the spooky finances behind her gigs” free to read – all you have to do is register.
After thirty years, Larry Kramer has finished his novel The American People, which he prefers to consider a new form of nonfiction. In the novel, a narrator based largely on Kramer writes a historical expose, also titled The American People, in which numerous American icons are described as having been gay. As Kramer says, he wrote the book in part out of a feeling that gay people are excluded from history books.