Pen, paper, and a brain scan: the newest trend in literary criticism might be “neurohumanities.”
We already knew that Haruki Murakami was a writer and runner but a former jazz club owner, too? Aaron Gilbreath visited Murakami’s 1970s jazz club, Peter Cat, and found “a drab three-story cement building. Outside, a first-floor, a restaurant had set up a sampuru display of plastic foods.” For more Murakami, read our review of 1Q84.
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
Tonight at the Pacific Standard Fiction Series in Brooklyn, Victor LaValle, author of Big Machine (which, according to Edan boasts “one of the best voices to come out of literature in the last…oh, ever, probably”), will be reading with Robert Lopez, author of Kamby Bolongo Mean River. As usual, I’ll be hosting; it would be great to see you there. For more information, see Time Out New York.
Things you can learn from this interview with Swedish crime writer Henning Mankell: there is a genre called “Scandi-noir;” the time Mankell spent as a sailor acted as “a sort of university;” and the fact that Mankell has been married four times proves that he is an optimist.