According to the New York Times, a “vigilante copy editor” has hit the sculpture park of the Pratt Institute.
The David Foster Wallace interview, Although of Course..., comes under the scrutiny of one of Wallace's most attentive readers, in the NYRB.
Tim Parks writes for the NYRB about writers living abroad. As he puts it, “But what about those writers who move to another country and do not change language, who continue to write in their mother tongue many years after it has ceased to be the language of daily conversation? Do the words they use grow arid and stiff? Or is there an advantage in being away from what is perhaps only the flavor of the day at home, the expressions invented today and gone tomorrow? Then, beyond specifically linguistic concerns, what audience do you write toward if you are no longer regularly speaking to people who use your language?” Pair with Hannah Gersen’s Millions piece on reading the English translation of Jhumpa Lahiri’s In Other Words.
As Alden Jones puts it, a “sex-death-art trifecta” is the core of The Small Backs of Children, the new book by Lidia Yuknavitch. At The Rumpus, he talks with the author about the novel, which centers on a war photographer who takes an iconic photo in Eastern Europe. You could also read the author’s Millions essay from last week.
Freudians know that Eros and Thanatos are opposites in the human psyche. The former, the love instinct, pushes us to survive, while the latter, the death instinct, pushes us to destruction. In an essay for Bookslut, Jelena Markovic explores the importance of Thanatos in daily life, using as an example a man she knew with an “instinct for nonexistence.”