“Would I have carried myself with the same swagger, or faced adversity with such feminine resolve, without Albertine as my guide?…I was drawn to a striking, remote face—rendered violet on black—on a dust jacket proclaiming its author ‘a female Genet.’ It cost 99 cents, the price of a grilled cheese and coffee at the Waverly Diner, just across Sixth Avenue. I had a dollar and a subway token, but after reading the first few lines I was smitten—one hunger trumped another and I bought the book.” Patti Smith introduces Astragal by Albertine Sarrazin, recently rereleased by New Directions.
Perhaps best known for her fiction, specifically her classic The Group, Mary McCarthy became a novelist almost by chance. “McCarthy was good at recycling – a term which she used herself – and good, also, as she admitted, at plagiarizing her own life. Nevertheless, her fiction lives, and some of it has been highly influential.” Margaret Drabble takes us through McCarthy’s major works of fiction, featured in Mary McCarthy: The Complete Fiction which was released this year in a deluxe collection for the very first time.
Vince Manapat’s interview with NYRB Classics editor Edwin Frank provides an interesting (if slightly erroneous) history of how the publisher got started. If you come away from the interview wondering what Mr. Frank recommends reading, then, ta-da! and look no further.
Stop reading this post if you have things to do. Still here? You’ve been warned. Ray Cadaster compiled a list of The 50 Most Interesting Articles on Wikipedia, and then followed it up with a sequel containing 50 more. Over at Ploughshares, Justin Alvarez discusses his favorites among both lists, and he asks readers to share their best discoveries. As you go through these articles, keep an eye peeled for posts worthy of Citation Needed.
As if you weren’t in love with Augustus Waters already, the first official trailer from The Fault in Our Stars film is out, and Ansel Elgort is quite the charmer. The film releases on June 6th, but if you still haven’t read the book, here’s our own Janet Potter’s review.
In TNR, Ruth Franklin attempts to debunk the “strangely antiquated definition of American writing” posited in Dalkey’s Best European Fiction anthology. (via)
“There needs to be a literary Juneteenth. We can’t rely on publications and presses that have, through the actions and complicity of their leadership, proven oppressive. For history to avoid repeating itself, we need to define sustainability for ourselves. This could mean expanding existing infrastructure, forming new platforms, or simply self-publishing. None of those things are as easy as plugging into what already exists, but given the state of the field, there needs to be a deep interrogation of what already exists to see if it truly values us, sees us.” Casey Rocheteau on the restorative justice of publishing, over at The Offing.