In the mind of the ethical parent, one question overshadows all others: what’s the best way to get your kid to read Calvin and Hobbes? Unfortunately, there are no simple answers, only theories. (ICYMI: here’s a tribute to Calvin’s snow sculptures.)
New this week: Awl co-founder Choire Sicha’s debut Very Recent History; Elizabeth Cohen’s new story collection The Hypothetical Girl; Elect H. Mouse State Judge by Nelly Reifler; The Virgins by Pamela Erens (which Erens herself wrote about for us on Friday); The Rathbones by Janice Clark; and Necessary Errors by Caleb Crain. For more on these and other upcoming titles, check out our Great 2013 Second-half Book Preview.
“Think of landscape. Think of how elements come to be attached to one another, how it’s impossible to separate the road from the field, the field from the tree, the tree from the water, the water from the sky. We cannot attribute natural features to the lines we design just as we cannot attribute natural causes to those dying as they try to cross them.” For Tin House, Portuguese writer Susana Moreira Marques meditates on the concept of borders and Wolf Böwig’s photography project, “Borders and Beyond.”
“What matters is you, all alone at your desk at five in the morning.” We’ve come a long way from Dear Abby and Ann Landers, says Megan Marz in an essay for The Point, in which she looks at a younger generation of columnists that includes Cheryl Strayed, Heather Havrilesky, and Kristen Dombek. And speaking of advice! Have you checked out our new writing-advice counselors Swarm and Spark? No? Well then hie yourself to their column already!
“If you didn’t feel you were discovering something as you wrote your memoir, don’t publish it. Instead hit the delete key, and then go congratulate yourself for having lived a perfectly good, undistinguished life. There’s no shame in that.” Neil Genzlinger at the New York Times lays some ground rules for those compelled to write memoirs.