In the mind of the ethical parent, one question overshadows all others: what’s the best way to get your kid to read Calvin and Hobbes? Unfortunately, there are no simple answers, only theories. (ICYMI: here’s a tribute to Calvin’s snow sculptures.)
“Reading Literary Twitter is to witness brief, terse glimpses into the writerly psyche, and how insecure and unsure and thin-skinned we tend to be. As writers, we want to be validated. We want to matter. The published stories and poems and essays, the books we sell, the magazines we edit: all this output, this paper expelled out to the world, the screens we invade with our narratives, it all matters to us. But does it matter to everyone else?” mensah demary writes about the good, the bad, and the slightly neurotic of being a writer on Twitter for Electric Literature.
“If rats then represent terror and chickens innocent striving for something approaching authenticity, humans, for Lispector, are strangely in the middle, often stricken with fear, or handing out terror, but ready also to soar or break loose or achieve some freedom or be fully alert to their fate in a time short enough for one of her stories to be enacted.” Colm Tóibín writes about Clarice Lispector’s The Complete Stories. You could also check out a Year in Reading by Katrina Dodson, translator of the collection and our review of the book.
I’ll Have Another scratched from the Belmont yesterday, which dashed our hopes of seeing the first Triple Crown winner since 1978, but you can still get excited for today’s race by checking out this beautiful passage from John Jeremiah Sullivan’s Blood-Horses.
“The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor. Don’t let this dissuade you from revising again and again, which can really improve a piece of writing.” Albert Camus, creative writing instructor.