“Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?” Kazuo Ishiguro on film, and other novelists’ second-favorite art forms.
“Pornography has changed unrecognizably from its so-called golden age—the period, in the sixties and seventies, when adult movies had theatrical releases and seemed in step with the wider moment of sexual liberation, and before V.H.S. drove down production quality, in the eighties. Today’s films are often short and nearly always hard-core; that is, they show penetrative sex. Among the most popular search terms in 2015 were ‘anal,’ ‘amateur,’ ‘teen,’ and—one that would surely have made Freud smile—’mom and son.'” The New Yorker attempts to make some sense of modern pornography.
When John Steinbeck wasn’t busy writing 600-page novels, he might have been a Cold War CIA spy. In 1952, Steinbeck approached the CIA and suggested he could do some spying on an upcoming European trip. “The pace and method of my junket together with my intention of talking with great numbers of people of all classes may offer peculiar advantages,” he wrote to an agent.
“i need more sprawling post-modern novels NOW!” is the plea at Ask MetaFilter.Yale University’s Beinecke Rare Book and Manuscript Library has thousands of images from their collection online. It’s just like being in the dusty stacks.I’ve been enjoying emdashes lately. It’s a blog about my favorite magazine.