“Any reasonably skilled novelist can evoke on the page the texture of memory, drawing the reader into the half-remembered, the blurred edges, the nervous nostalgia, the meandering associations across time and geography. In contrast, flashbacks on screen tend always to be clumsy beasts, announcing their arrival with unwanted fanfare and knocked-over furniture. Why is this?” Kazuo Ishiguro on film, and other novelists’ second-favorite art forms.
The Remains of the Screen
A Detective Meets His End
Things you can learn from this interview with Swedish crime writer Henning Mankell: there is a genre called “Scandi-noir;” the time Mankell spent as a sailor acted as “a sort of university;” and the fact that Mankell has been married four times proves that he is an optimist.
They Put a Spell on Her
“Maybe I could find some peace there, or a husband. Maybe it would be like going home.” Katherina Grace Thomas writes for Guernica about Nina Simone's three beautiful years in Liberia during the 1970s. See also: Bill Morris on the Hollywood biopic.
A Necessary Evil
Is the system rigged? Aaron Bady at The New Inquiry discusses the inherent evil of the canon and the general problem with lists. For more on why we care about literary awards in the first place, here is Mark O’Connell from The Millions.
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On Velvet
Recommended Listening: Mary Gaitskill talks about her new book The Mare with host David Naimon. Pair with Chelsea Voulgares’s Millions interview with the author.
And Smoke Signals
As the world knows, letter writing is dead, killed by the popularity of email. However, before email killed letters, the telephone killed them, as did the typewriter, the telegraph and the adhesive postage stamp. (h/t Arts and Letters Daily)
Ethnoburb, For One Hundred
Prepare to lose a few hours on the glorified Wikipedia wormhole that is Daily Idioms, Annotated, then read this brief interview with the blog's creator, material scientist Debbie Chachra.
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