“I never thought of myself as an outsider. Because outside of what? You would have to give advantage to this space where you’re not, to think of it as sovereign because you’re not there. I was always in the center of where I needed to be.” Aleksander Hemon on writing his new book.
New this week: Behold the Dreamers by Imbolo Mbue; The Dollhouse by Fiona Davis; The Outside Lands by Hannah Kohler; I’m Still Here by Clelie Avit; and Blood in the Water by Heather Ann Thompson. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
With the erosion of the 175-year-old Times-Picayune, New Orleans will soon be one of the largest metro areas without its own major newspaper publishing every day. Over at The Atlantic, Emily Badger explains the sad saga of its demise as well as the complexities and uncertainties yet to come.
Literary fame is a knotty thing. It’s hard to predict exactly who will be known for centuries, and why. William Wordsworth, for example, owes at least part of his fame to the Lake District, which started to use him in their tourist campaigns not long after his death. In The New Yorker, Joshua Rothman takes a look at H.J. Jackson’s Those Who Write for Immortality. Related: Gina Fattore’s recent essay on fame and money.
“As I read her words, I experienced a feeling previously unknown to me: recognition. I had always turned to books for pleasure, as portals to other places. Reading The Woman Warrior, for the first time I saw myself on every page and in every word.” For Catapult, Alexis Cheung writes about representation, being an Asian-American writer, and reading and interviewing Maxine Hong Kingston. From our archives: Kingston’s work was featured in Alexander Chee‘s 2015 Year in Reading.