Not long after James Lasdun released his new book, Give Me Everything You Have, Jessica Freeman-Slade reviewed it for The Millions. Now, in the latest issue of the LRB, Nick Richardson offers his own take. (You could also check out our own Mark O’Connell’s interview with Lasdun.)
Tale of a Stalker, Ctd.
“Reigning queen of the Twittersphere”
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You ninnie-hammer flycatcher!
Short on insult fodder? In that case you’ll want to read Colin Burrow’s review of Melissa Mohr’s Holy Shit: A Brief History of Swearing. It includes such notables as: “slapsauce fellows, slabberdegullion druggels, lubbardly lowts … slutch calf-lollies, grouthead gnat-snappers, lob-dotterels, gaping changelings, [and] codshead loobies.” In the end, “swearing is one of the most basic human acts,” he writes.
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A Conceit with No Conscience
"[L]ike many, many other rules in the English language, it turns out this one is built on a foundation of lies." That whole 'i before e, except after c rule? Bunk. Which you would already know, if you were a true spelling bee hopeful.
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Use It Or Lose It
At least two people were not pleased with John Jeremiah Sullivan’s recent cover story in the New York Times Magazine. In a letter to the New York Observer (and an expanded post on Google+), Susannah McCormick – daughter of renowned music historian Robert "Mack" McCormick – alleges that Sullivan and his research assistant “glibly” stole her father’s research in an act of “quasi theft.” In his response, Sullivan asserts that, “by hiding L. V. Thomas’s voice, by refusing for over half a century to credit or even so much as name the two singers who created those recordings while they or their contemporaries were alive, Mack McCormick committed a theft—through negligence or writer’s block or whatever reasons of his own—far graver than my citation of interviews L.V. granted him decades ago.”
Free That Verse
From the Beat poet to the particularly heroic couplet, here's a handy illustration of poetic justice from Grant Snider over at The New York Times.