Freedom the program might not actually be so freeing: “It has been argued that a chronic fever of distraction and fascination arrives on waves of Wi-Fi to stunt our attention spans, encouraging writers to paddle about, tweeting and liking, instead of striking out for deeper waters…” But maybe writers need distraction, after all. (Then again: a detox might do you good.)
Noam Chomsky, in conversation at the University of Arizona, derides the rising cost of university tuition. He goes on to say student fees are “a general form of indoctrination and control, which goes down to kindergarten. I mean, that’s what No Child Left Behind is about. It’s training for the Marine Corps.”
In an interview with Vice, Joy Williams explains that writing gives her “no happiness”. Pair with an interview with our own Hannah Gersen, who “would have stopped [writing] a long time ago” if she didn’t love it. You could also read Nick Ripatrazone’s recent article on fifty reasons to read Williams.
Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!
New this week: Tupelo Hassman’s debut Girlchild, a pair of novels — Angel and A Game of Hide and Seek — by Elizabeth Taylor (not the actress) from NYRB Classics featuring introductions by Hilary Mantel and Caleb Crain, Self-Portrait of an Other, prose poems by Cees Nooteboom, and Useless Landscape, or A Guide for Boys, a new poetry collection from D.A. Powell.
The fuss is currently over John D’Agata and Jim Fingal’s clashes over factual accuracy, but frankly I’m tired of hearing about it. Maybe it’s because it sounds so reminiscent of David Shields’ Reality Hunger (2010). Or, better yet, maybe it’s because it sounds so reminiscent of David Sedaris’ Naked (1997).