Freedom the program might not actually be so freeing: “It has been argued that a chronic fever of distraction and fascination arrives on waves of Wi-Fi to stunt our attention spans, encouraging writers to paddle about, tweeting and liking, instead of striking out for deeper waters…” But maybe writers need distraction, after all. (Then again: a detox might do you good.)
“They are both popular and literary and seem to have no problem standing with a foot in each category.” For The Paris Review, our own Adam O’Fallon Price writes about the “unambiguous sophistication” of Curtis Sittenfeld‘s writing—which is often regulated to the world of “chick lit”—and her new short story collection, You Think It, I’ll Say It. (Read our interview with Sittenfeld.)
“I can’t control the kittens. Too many whiskers! Too many whiskers!” A woman writes down everything her husband says in his sleep. Why isn’t this on Twitter? (via attackattack.tumblr.com)
Hopefully you’ve read Eryn Loeb’s Millions review of Goodbye to All That, a collection of essays by noted writers on the weird sorrow of leaving New York City. Contributors include Dani Shapiro, whom we interviewed back in October, Emma Straub, who wrote an essay for The Millions back in July, and Millions staff writer Emily St. John Mandel. At the LARB, Mason Currey says he dreaded reading the book out of fear that it would raise old anxieties, but then says that his hesitations “quickly evaporated” when he started reading.
After five years, Lev Grossman has released the final book in his Magicians trilogy, aptly reviewed in the Sunday Times by our own Edan Lepucki. At Slate, the Awl cofounder, Year in Reading alum and novelist Choire Sicha looks back on the series as a whole. After reading through all three entries, Choire poses a simple but hard-to-answer question: is main character Quentin truly the central figure of the books? It might also be a good time to read our interview with Grossman.
Today marks the opening round of the always-worth-following Morning News Tournament of Books. In the ring, Adam by Ariel Schrag faces off against The Bone Clocks by David Mitchell, in a match refereed by Matthea Harvey. For background, you could read our review of The Bone Clocks.
Legally sampling songs on a hit record is astoundingly expensive. As Kembrew McLeod and Peter DiCola note in Creative License: The Law and Culture of Digital Licensing, the Beastie Boys would have lost $19.8 million dollars because of Paul’s Boutique. (via BoingBoing)
“The only way to get something new out of language, to try and get to what feels like the nearest simulacrum of truth, is to bend and shape that language, to break it’s form and strain against it, to coax it into a shape, to play with it. To revel in the disorderly.” Madeleine Watts writes about Eimear McBride‘s A Girl is a Half-Formed Thing (which our own Hannah Gersen recently reviewed), the limits of language and the necessity of a “Girl Canon” for The Believer‘s blog.