The latest issue of Poetry magazine features four of Michael Robbins’s first “post-Alien vs. Predator” poems: “Big Country,” “Be Myself,” “The Second Sex,” and “That’s Incredible!” Robbins was also a recent participant in our Year In Reading series.
Are you a woman of color writer in need of the time and space provided by a writing retreat, ideally in October? Then you’re in luck, applications for the Jack Jones Literary Arts retreat have just opened! New York Times Magazine writer Jenna Wortham is this year’s Writer-in-Residence. Applications are due April 1st and there is a $35 application fee. But if you hurry you might be able to get your application fee waived thanks to generous donors. We urge you to apply now and wish you the best of luck!
The 80th birthday of Philip Roth inspires a festschrift of sorts over at New York Magazine, with Sam Lipsyte, Kathryn Schulz, James Franco (natch), and others weighing in on Roth’s Best Book and other vexed questions. (For the record, it’s Sabbath’s Theater.)
A couple weeks ago, I wrote about the upcoming Lifetime adaptation of Flowers in the Attic, the novel that Slate writer Tammy Oler called “a rite of passage for teenage girls in the ‘80s.” Now, Willa Paskin reviews the new film, lamenting that it “acts as if it is just another life-affirming Lifetime movie about surviving terrible situations.”
Today sees the arrival of a unique title from the Center for the Art of Translation. Wherever I Lie Is Your Bed provides translated poetry and fiction from 30 writers and is meant to introduce English-speaking readers to writers whose work would otherwise be difficult or impossible to find in English. Elsewhere, the biggest literary release of the week is Vladimir Nabokov’s The Original of Laura, which has caused no small amount of consternation among critics, and Alice Munro’s latest collection, Too Much Happiness, which can be expected to be more warmly received. On the non-fiction side, a new collection of Zadie Smith essays came out last week.