With the movie adaptation of The Great Gatsby slotted to come out next summer and Anna Karenina due out in late November, film critic Richard Brody looks back at some of his favorite movies based on literature and proposes what makes an adaptation successful.
“Mixer publishing, with guest editor Paul Tremblay (author of Swallowing A Donkey’s Eye), is offering a $1,200 honorarium for the best speculative/sci-fi story, graphic narrative (comic), or poem.” The contest deadline is June 30th.
“Others may prefer to will themselves into James Bond’s dinner jacket and Aston Martin DB4, but I’d rather slip into a !Kung hunter’s penis sheath and heft his hunting spear.” At The Guardian, Will Self explores his odd preference for deeply uncomfortable comfort reading.
Out this week: Marlena by Julie Buntin; American War by Omar El Akkad; What It Means When a Man Falls from the Sky by Lesley Nneka Arimah; Kingdom of the Young by Edie Meidav; No One Is Coming to Save Us by Stephanie Powell Watts; and Living in the Weather of the World by Richard Bausch. For more on these and other new titles, go read our most recent book preview.
“Rather than presenting a single, definitive story—an ostensibly objective chronicle of events—these books offer a past of competing perspectives, of multiple voices. They are not so much historical as archival: instead of giving us the imagined experience of an event, they offer the ambiguous traces that such events leave behind.” On the role of realist historical fictions.