“I think essay and memoir hang together in a balance. There’s any number of ways to strike it, but from Montaigne on down that balance seems key to their design.” The Paris Review interviews the essayist Michelle Orange, author of the recent This Is Running For Your Life.
Recommended viewing: The New Yorker‘s Adam Gopnik talks about his early years in New York writing for the magazine “though they simply weren’t aware of it, or when they were aware of it they were extremely unenthusiastic,” and about all the odd jobs that often make up a writer’s early career, something our own Emily St. James Mandel has written about before.
What happened to the literature of clothing? Writers like Balzac and Proust wrote philosophies of clothing, but nowadays there seems to be a wall between literary writing and fashion. In Public Books, Mary Davis reads Women in Clothes, a collection which reveals a lot about how much our views of fashion writing have changed. FYI, Rachel Signer reviewed the book for The Millions.
Sara Nović writes for The Believer about the deaf protagonist of Stephen King’s The Stand. As she explains it, “This is the plight of the average deaf character: to be plagued by the hearing author’s own discomfort with the idea of silence.” Pair with Lydia Kiesling’s Millions essay on King.
Several years ago, Jeff Sharlet closely investigated The Fellowship – a “self-described invisible network dedicated to a religion of power for the powerful” – in order to write a book about “how fundamentalism came to be interwoven with American power.” Now, Sharlet has followed up his initial report with an article about Westmont College, a “feeder school” for the religious movement. This is highly recommended reading for anybody interested in the intersections of power, influence, religious fundamentalism, and American politics.
Writing for the Wall Street Journal, David Shapiro remarks on the current popularity of the marathon reading, or “a format of communal public performance that has more in common with the filibuster than the conventional literary reading.” Previously, Jeff Price wrote a piece on our site concerning the particular camaraderie that arises among participants and audience members during marathon readings. (As a bonus: I share a David Foster Wallace anecdote in the comments for that piece.)