“A must-read for: anyone who has grappled with mood disorders/And: anyone interested in the nature of creativity/And: anyone interested in insightful stories told with honesty, pathos, and wit.” On Ellen Forney’s Marbles: Mania, Depression, Michaelangelo & Me.
“In noir, the problem is not an individual: the problem is the world.” Over at Electric Literature, Nicholas Seeley advocates for the efficacy of noir as a protest genre. Here’s a piece from The Millions’s Hannah Gersen that argues for Bartleby, The Scrivener as another surprising example of protest literature.
There are book tours and then there are book tours. You either get the full-scale, all-expenses-paid treatment from your publisher, or else you get a request to plan it all and pay for it all yourself. In the weeks after his latest novel came out, our own Bill Morris set off on a DIY tour — all driving, no flying — about which he’s been writing dispatches for The Daily Beast. This week, he thinks about the changing nature of book promotion, recounts his nights in dumpy motels and compares his experience to that of our own Edan Lepucki. (FYI, they talked about writing their novels in a Millions piece.)
“Echoes are etched into the pages thanks to margin-scrawled notes, a yellowed coffee splatter or sticky peanut-butter-and-jelly fingerprints.” In her project “Expired,” photographer Kerry Mansfield documents the life of library books. We suggest pairing The Guardian‘s gallery of her photos with our own Jacob Lambert‘s “Open Letter to the Person Who Wiped Boogers on My Library Book.”
Cat’s Cradle‘s Felix Hoenikker would be so proud: Stanford scientists have found a way to make a dense, extraterrestrial ice called Ice VII (via The Rumpus). See also: “2 B R 0 2 B”, a “lost” Vonnegut story that first appeared in the sci-fi journal Worlds of If in January 1962.