A pair of books featured in our Great 2013 Book Preview hit shelves today: Pulitzer Prize winner Elizabeth Strout’s fourth novel, The Burgess Boys, as well as Benjamin Lytal’s A Map of Tulsa.
Tuesday New Release Day: Strout, Lytal
The Baroque Era
“These poets foreground elaborate and mythically transgressive evocations of eros in which stylistic excesses counter the violent excesses of homophobia and racial marginalization. The queer Baroque is, fundamentally, a poetry of radical ambivalence.” On Prelude to Bruise by Saeed Jones.
Staff Writer Sonya Chung at Tin House
At the Tin House blog, I write about my literary education in independent bookstores Also, my piece about James Salter appears in Tin House‘s current issue.
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Sedaris by the Sea
Recommended Reading: David Sedaris’s essay about his sister Tiffany’s suicide, “Now We Are Five,” for The New Yorker. “How could anyone purposefully leave us, us, of all people? This is how I thought of it, for though I’ve often lost faith in myself, I’ve never lost it in my family, in my certainty that we are fundamentally better than everyone else.”
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An Act of Creation and Destruction
Recommended Listening: David Naimon interviews Year in Reading alumnus Jesse Ball about his latest book, How to Set a Fire and Why—one of the most anticipated books of 2016.
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Tuesday New Release Day: Ford, Theroux, Johnson
This week brings Richard Ford’s latest novel, Canada, as well as a new novel from Paul Theroux, The Lower River. And Millions favorite and Pulitzer finalist Train Dreams by Denis Johnson is now out in paperback.
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“In such circumstances, how could there fail to be a swarm of ghosts?”
Recommended Reading: People Who Eat Darkness author Richard Lloyd Parry’s stunning essay on Reverend Kaneda, a Japanese monk performing exorcisms to solve his region’s “ghost problem.”
The Economy of Goodwill
Recommended Reading: Against crowdfunding websites that marketize goodwill.
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Fahrenheit 32
Say the books in your Encyclopedia Britannica are moldy, unread and obsolete. You know you could burn them or throw them away, but somehow, you can’t do either. Why not?
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