A pair of books featured in our Great 2013 Book Preview hit shelves today: Pulitzer Prize winner Elizabeth Strout’s fourth novel, The Burgess Boys, as well as Benjamin Lytal’s A Map of Tulsa.
Tuesday New Release Day: Strout, Lytal
From Pen to Publishing House
A droll diagram mapping the tumultuous birth of a book.
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The Amazing Production of Kavalier & Clay
Seattle’s Book-It Repertory Theatre has adapted all 636 pages of Michael Chabon’s The Amazing Adventures of Kavalier & Clay for the stage.
Animals Everywhere!
It is a truth universally acknowledged (and recently addressed in Barclay Bram Shoekmaker‘s Millions review of Mo Yan‘s Frog) that literary translation is an imperfect art, and this list of mistranslated “literary moments” only offers more evidence for the claim. But for every serious blunder there’s also a truly ridiculous one (or more). For example, the French translated the title of Animal Farm as Animals Everywhere!, which sounds a lot like a charming children’s book and not at all like Orwell.
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The Better Angels of Our Nature
Steven Pinker‘s The Better Angels of Our Nature posits that human violence is becoming less and less common in civilized culture. If your interest was piqued by the book’s review in The New York Times, you will no doubt be interested in his Edge Master Class as well.
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Cartoon Marginalia
Amid further discussion and exploration of marginalia, a discovery of cartoon marginalia in the New Yorker archives.
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Interview with A.S. Byatt
Guardian posts an interesting video interview with A.S. Byatt about poetry, her novel The Children’s Book, and our persistent interest in ourselves.
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Tuesday New Release Day: Rash, Gavin, Hainey
New this week: a pair of highly anticipated collections, Nothing Gold Can Stay by Ron Rash and Middle Men by Jim Gavin. Also out is Michael Hainey’s intriguing memoir chronicling his investigation into his father’s mysterious death, After Visiting Friends.
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Prisons From Another World, Another Time
Eric Benson interviewed Bruce Jackson about “the strange and brutal world of Southern prison farms.” Jackson, who recently published a collection entitled Inside the Wire, snapped prison photographs in Texas and Arkansas from 1964 to 1979. The images depict both the mundane and the surreal, occasionally appearing as though they were “taken from a fever dream.”