What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
My essay on Zadie Foster Franzenides and the current state of literary aesthetics is in this weekend’s New York Times Magazine.
Out this week: The Schooldays of Jesus by J.M. Coetzee; Dear Friend, from My Life I Write to You in Your Life by Yiyun Li; Things We Lost in the Fire by Mariana Enriquez; Running by Cara Hoffman; The Keeper of Lost Things by Ruth Hogan; Last Day On Earth by Eric Puchner; and The World to Come by Jim Shepard. For more on these and other new titles, go read our most recent book preview.
The New York Public Library released more than 180,000 of its public-domain items, ranging from maps and manuscripts to ancient texts and sheet music. The files can be downloaded on the library’s website, available to the public without restriction.