The ongoing Hachette vs. Amazon feud has writers and publishers up in arms, but according to the Society of Authors there are no heroes in publishing.
We’ve recommended reading up on Jenny Zhang‘s Sour Heart before, this interview in Hazlitt is one of our favorites. “And maybe this is crude to talk about, it’s not even that I don’t want to write a memoir. Beyond that, do you understand how vulnerable it makes someone to call something nonfiction? Not just emotionally vulnerable but financially vulnerable, do you realize someone that makes $40,000 a year cannot be hit by a lawsuit by some angry ex who objected about a chapter about him? Some guy sees one line about him, missing thousands of lines not about him. That’s why celebrities are the ones who write memoirs.”
In a big week for new releases, we have Lev Grossman’s The Magician King, the sequel to his blockbuster debut The Magicians; Nicholson Baker’s House of Holes, reviewed here today; another new Geoff Dyer book, The Missing of the Somme; DBC Pierre’s Lights Out in Wonderland; and Kevin Wilson’s debut novel The Family Fang (which one blurber calls The Royal Tenenbaums meets Who’s Afraid of Virginia Woolf). Four of the five books above, incidentally, were featured in our big second-half preview. And out in a paperback this week are a pair of award winners: Siddhartha Mukherjee’s The Emperor of All Maladies and David Grossman’s To the End of the Land.
“excited to get over you by being obsessed with somebody who doesn’t want me.” Poetic Twitter accounts are all the rage. Over at The New Yorker, Haley Mlotek takes an in-depth look at one account in particular that is toeing the line between dark humor and debilitating sadness, @SoSadToday.