Maybe you’ve been enjoying Crapalachia (Excerpt) as much as everybody else these days – or perhaps you’re just a big fan of the Appalachians (and hopefully not MTV’s Buckwild). Either way, you should get a kick out of Scott Hubener’s The Space In-between project. The photography series “documents the landscape and residents along U.S. Route 23, between Asheville, North Carolina, and Johnson City, Tennessee.”
“Sandberg does not mention pleasure. Sandberg assumes instead that the feminist question is simply, how can I be a more successful worker?…Sandberg has penned not so much a new Feminine Mystique as an updated Protestant Ethic and the Spirit of Capitalism.” At Dissent, Kate Losse, herself a former Facebook employee, critiques Sheryl Sandberg’s new and controversial Lean In.
“Crossover words are a tremendous testament to our awesome ability to shape the language as we use it. To master our fears. To take our terror and use it to build something terrific.” – Arika Okrent writes for The Week about irony, slang and the way language changes.
“That’s always been part of my goal — to show the dark side of women. Men write about bad men all the time, and they’re called antiheroes. … What I read and what I go to the movies for is not to find a best friend, not to find inspirations, not necessarily for a hero’s journey. It’s to be involved with characters that are maybe incredibly different from me, that may be incredibly bad but that feel authentic.” Gillian Flynn and Cheryl Strayed talk with The New York Times about the adaptations for Gone Girl, Wild, and writing credible characters. Their conversation pairs well with our own Edan Lepucki‘s essay on likability in fiction.
Paris Review editor Lorin Stein recommends a couple of self-help books to one reader in this week’s mail blog. “Let your self-help freak flag fly!” he writes. Such might put you in esteemed company. As Maria Bustillos pointed out in her poignant investigation for The Awl, David Foster Wallace treasured many self help books.