Things you can learn about Teddy Wayne from his essay in the New York Times Book Review: one, his first name is Derek; two, he believes the modern lit world is crazy for guys named Jonathan; and three, he once considered using the pen name D.T. Wayne. (For more, you could go read our interview, or else check out our review of his latest novel.)
Michael Kimball wants to save you $50,000 dollars on an MFA - by sharing what's he taught himself. Interested in reading more from someone without a traditional writing degree? Our own Hannah Gersen explains "The Value of Writing Programs: On Why I Don't Have an MFA."
Zadie Smith in conversation with Édouard Louis for the Document Journal. "Listening to the novelists Édouard Louis and Zadie Smith in conversation inspires a kind of hushed glee, a bliss familiar to eavesdroppers who encounter sublime discourse. " How can you resist?
Clare Beams reflects on her impressions of Little Women as a child and an adult at Ploughshares. A piece of her essay: “Of course, none of the real Alcott sisters could have fit into the spaces Little Women carved out for them. No real person could…. Real-life girls are messes of contradiction.” You could also read Deena Drewis’s essay on the perception of women’s writing and gender bias in publishing.
Edmund Wilson famously said of the works of H.P. Lovecraft that “the only real horror in most of these fictions is the horror of bad taste and bad art.” In time, however, Lovecraft developed a substantial following, which raises the question of what attracted readers to his work. The answer? “The weird realism that runs through his writings undermines any belief system – religious or humanist – in which the human mind is the centre of the universe.” Related: Ben Dooley on the scariness of House of Leaves.