"Getting too quickly to where you want to go, getting there too smoothly, is antithetical to thinking through complex issues. You want roadblocks, confusion, chaos, and doubt. Unexpected, wonderful things come out of this approach." Jeff VanderMeer provides a master class for Publisher's Weekly on novel revision, explaining in five steps how his new book Borne arrived at its final incarnation. And for more shop talk, see VanderMeer's interview with The Kills author Richard House from our own pages a couple of years back.
"When you go to Narnia, your worries come with you. Narnia just becomes the place where you work them out and try to resolve them." Lev Grossman writes for The Atlantic about The Lion, the Witch and the Wardrobe and why fantasy isn't escapism. Pair with our own Edan Lepucki's review of Grossman's latest novel, The Magician's Land.
"You should feel embarrassed when what you’re reading was written for children," Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. "You should never be embarrassed by any book you enjoy," Hillary Kelly responds in The New Republic, unrealistically (we're embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.