MaddAddam, the third book in Margaret Atwood’s trilogy that began with Oryx and Crake and The Year of the Flood will be out in the U.S. in September. Bonus: the cover of the book’s Australian edition.
New Margaret Atwood Coming in September
Rooted
The term “regionalism” doesn’t have quite the lustre for poets that it does for fiction writers, yet poets undeniably reflect their roots in their work. In an essay, Sandra Beasley makes the case for embracing regionalism in the poetry world, citing Claudia Emerson as a model for profitably committing yourself to one place.
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A dimension of mind
There are two essays on the narrative genius behind The Twilight Zone, Rod Serling, over at Berfrois: Michael A. Moodian on how using genre tropes allowed Serling to tell politically volatile stories during the McArthy era of Hollywood, and Christopher Cappelluti takes a look at how The Twilight Zone changed television history.
Like a Nun in a Motorcar
“Raymond Chandler did not invent the private eye — Dashiell Hammett and a few others got there first. But his vision is the one that caught the public eye and stuck most indelibly in the imagination, like — in one of his aromatic metaphors — ‘a tarantula on a slice of angel food.’” On a new biography of the man behind Phillip Marlowe.
Bring Up the Dianas
“I used to think that the interesting issue was whether we should have a monarchy or not. But now I think that question is rather like, should we have pandas or not?” Hilary Mantel considers the royal family.
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You Think It, She’ll Write It
“They are both popular and literary and seem to have no problem standing with a foot in each category.” For The Paris Review, our own Adam O’Fallon Price writes about the “unambiguous sophistication” of Curtis Sittenfeld‘s writing—which is often regulated to the world of “chick lit”—and her new short story collection, You Think It, I’ll Say It. (Read our interview with Sittenfeld.)