At Salon, Kyle Minor listens to an audiobook recording of Joan Didion’s Salvador and finds that it remains “immediately relevant to a new reader whose memory of its context is more the kind of memory that arises from having read books about history than one that arises from having been old enough in 1983 to understand the meaning of phrases such as death squad, or body count, or mechanism of terror.”
Out this week: My Lost Poets by Philip Levine; Orphans of the Carnival by Carol Birch; These Are the Names by Tommy Wieringa; A Poet’s Dublin by Eavan Boland; and Against Sunset by Stanley Plumly. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
“After breaking down the data by neighborhood and age group, it became clear: Children’s books are a rarity in high-poverty urban communities. The likelihood that a parent could find a book for purchase in these areas ‘is very slim.’” On book deserts across America.
“It’s true that when the world did not end when I predicted it would, at the end of last year, in my Netflix special Ragnarok, I realized a number of things, one of which was that I had not made a lot of professional or creative plans on the contingency that the world would continue. I just figured that it would end.” Greg Hunter talks with John Hodgman at The Rumpus.