Lolita has been, for decades, a great inspiration to cover designers, and all those great covers inspired architect John Bertram to hold his own cover design contest to see who could best re-imagine Nabokov’s classic. The resulting competition has now inspired a book, coming in August, with a cover by designers Sulki & Min that references a letter Nabokov sent to his American publisher, Walter J. Minton of Putnam, in April 1959 about the cover design for Lolita. “I want pure colors, melting clouds, accurately drawn details, a sunburst above a receding road with the light reflected in furrows and ruts, after rain. And no girls. If we cannot find that kind of artistic and virile painting, let us settle for an immaculate white jacket (rough texture paper instead of the usual glossy kind), with LOLITA in bold black lettering.” More: An interview with Bertram.
Aspiring writers who’ve long dreamed of critical acclaim will no doubt be slightly miffed at Tana French’s admission that her writing “happened by accident.” As the former actress explains to The Guardian, writing In the Woods was a subconscious, almost involuntary experience: “I thought I could never write a proper book, I’d never done it before. But I thought I could write a sequence. Then I had a chapter.”
In the latest issue of The Walrus, Casey Plett reads a number of books involving transgender people, critiquing several aspects of their depictions. Along with the essay, she provides a list of transgender novels everyone should read, including Nevada by Imogen Binnie and Wanting in Arabic by Trish Salah.