Black Balloon has announced a new Horatio Nelson fiction prize, and the terms are pretty sweet. There’s no entry fee, and one winner will receive $5,000 and a book deal. Details can be found here.
Stephen Moss caught up with AD Harvey, the “independent scholar” who tricked an entire discipline into believing Charles Dickens met Fyodor Dostoevsky. (If you missed Eric Naiman’s initial piece on Harvey’s trail of deception and trickery, you’d do well to acquaint yourself now.)
Maybe you’ve been enjoying Crapalachia (Excerpt) as much as everybody else these days – or perhaps you’re just a big fan of the Appalachians (and hopefully not MTV’s Buckwild). Either way, you should get a kick out of Scott Hubener’s The Space In-between project. The photography series “documents the landscape and residents along U.S. Route 23, between Asheville, North Carolina, and Johnson City, Tennessee.”
How do you write poems about a culture that has been erased from history and one you don’t fit into? Tess Taylor delved into the complications of her Southern family’s past for The Forage House and attempted to excavate the unwritten parts of their history. “The non-writing down of people is intensely violent,” she told The Oxford American in a recent interview. Pair with: Our own Michael Bourne’s essay on the collection and its implications.
What do Talking Heads, The Smiths, Judas Priest, and Blondie have in common? They’re all featured in the playlist Picador made to accompany the paperback release of Jeffrey Eugenides’s latest novel, The Marriage Plot. The Spotify list is chock full of songs “Madeleine, Leonard, and Mitchell might have been listening to in the early 1980s.” You can read Eugenides’s take on the book’s genesis over here, too.