Peek inside a part of the DIY publishing world: zines. “Before the Internet democratized media, self-publishing was one of few ways for ordinary people to record and share with a wider audience. Zines on old taboos like sexual orientation could provide a staticky connection to a community of others with nonstandard identities in an age before chat rooms and message boards and — perhaps most importantly — simple ways to anonymize yourself.”
Adam Mansbach’s “viral,” tongue-in-cheek kids’ book for adults, Go the F–k to Sleep is now out. We interviewed Mansbach years ago, pre-frenzy, about other matters. This week also offers up a pair of much anticipated novels for the literary set, The Astral by Kate Christensen (don’t miss Edan’s interview with Christensen today) and The Curfew by Jesse Ball, and a rather specialized tome for fans of literary history, Nom de Plume: A (Secret) History of Pseudonyms.
Yesterday we noted that The Pale King is now available for pre-order. It turns out another new David Foster Wallace book will be out before the long-awaited final novel hits shelves. In December, Columbia University Press will put out Wallace’s undergrad thesis Fate, Time, and Language: An Essay on Free Will. From the publisher description: “Long before he probed the workings of time, human choice, and human frailty in Infinite Jest, David Foster Wallace wrote a brilliant philosophical critique of Richard Taylor’s argument for fatalism. In 1962, Taylor used six commonly accepted presuppositions to imply that humans have no control over the future. Not only did Wallace take issue with Taylor’s method, which, according to him, scrambled the relations of logic, language, and the physical world, but he also called out a semantic trick at the heart of Taylor’s argument.”
“What’s emerging from these studies isn’t just a theory of language or of metaphor. It’s a nascent theory of consciousness.” Michael Chorost writes about the importance of metaphors in literature and the brain.
Some Mormons are excited about the recent news of Trey Parker and Matt Stone‘s forthcoming musical, The Book of Mormon: “How can they call us a cult once we’re headlining 52nd Street? The Jews got ‘Fiddler.’ The Catholics got ‘The Sound of Music’ and ‘Doubt.’ It’s our time to shine.” Read more at the Salt Lake Tribune.
“In the 1970s it circulated among Left Bank intellectuals, including Sartre and Bernard-Henri Lévy, as an aid to productive writing. In 1981 it was listed as a controlled substance in the US and in 1986, after it was scheduled under the WHO Convention on Psychotropic Substances, it was removed from prescription sale.” The London Review of Books reviews two histories about the role of drugs in the fighting of wars, Blitzed: Drugs In the Third Reich by Norman Ohler and Shooting Up: A History of Drugs in Warfare by Łukasz Kamieński Hurst. Both pay particular attention to Captagon (the name a portmanteau of “captain” and “pentagon”), a pharmaceutical that has become common throughout Eastern Europe, the Gulf States, India, and China, and by 2014 “had become a significant source of funding for all sides in Syria’s civil war.”