New this week: Karen Russell’s new collection Vampires in the Lemon Grove; buzzed-about thriller The Dinner by Herman Koch; Harvest by Jim Crace; Fight Song by Joshua Mohr; the final novel of the late Maeve Binchy, A Week in Winter; Tara Conklin’s debut The House Girl; and James Lasdun’s non-fiction Give Me Everything You Have: On Being Stalked.
Working with composer Michel van der Aa, David Mitchell has written an “occult opera” entitled “Sunken Garden.” Meanwhile, the former head of buying at Waterstone’s has shared the Cloud Atlas author’s list of his favorite Japanese books. (h/t Sarah Emily Duff)
On International Women’s Day the New York Times launched Overlooked, a project that features the obituaries of remarkable women who did not receive the NYT obituary treatment when they passed away. It turns out only 20% of NYT obituaries were about women. Overlooked will seek to remedy this oversight by posting new obituaries of female icons weekly for the rest of 2018. Of particular note to our readers this week; Charlotte Bronte, Qiu Jin, Nella Larsen, Sylvia Plath and Ida B. Wells. But all 15 obituaries are worth reading, whether to learn something new or refresh your memory.
Amazon has unveiled its “Kindle Singles” store. Says Amazon: “Typically between 5,000 and 30,000 words, each Kindle Single is intended to allow a single killer idea — well researched, well argued and well illustrated — to be expressed at its natural length.” In practice, this appears to mean short stories as well as journalistic pieces that have (perhaps) been expanded upon. For example, a piece from n+1 is included, “Octomom and the Politics of Babies” by Mark Greif. Amazon writes that in this piece Greif “updates his insightful essay from last spring, where only the journal’s 10,000 readers had access to his dead-on critique of the American media culture that produced its own eight-headed monster.” Bottom line: Amazon is fishing for higher quality content at the low price points that Amazon readers have come to crave.
“I don’t try to deliver a message, teach, inform or ‘give back’ in my books. I simply want to tell a story. My writing is totally separated from my activism and social service, which are channeled through my Foundation.” Megan Bradshaw interviews Isabel Allende for Asymptote Journal.