New this week: Karen Russell’s new collection Vampires in the Lemon Grove; buzzed-about thriller The Dinner by Herman Koch; Harvest by Jim Crace; Fight Song by Joshua Mohr; the final novel of the late Maeve Binchy, A Week in Winter; Tara Conklin’s debut The House Girl; and James Lasdun’s non-fiction Give Me Everything You Have: On Being Stalked.
Does a writer need a devoted spouse to be prolific? At The Atlantic, Koa Beck examines the concept of having a do-it-all partner like Vera Nabokov and if this traditional gender role only harms female writers. Koa interviews various writers, from Emma Straub to Ayelet Waldman, on how their literary partnerships work. “I'd fantasized that being his Vera was a way for me to deal with being stuck as a stay-at-home mom—I'd subsume my own ambitions into something ‘greater!’ But that lasted about 48 hours," Waldman said.
"To use the lingo of their era, these novels are square. The protagonists have names like Jane and Barbara; they are not the misfits of which much teen literature is made but instead fundamentally good girls who long to fit in, and usually do ... Viewed through the lens of contemporary culture, and especially contemporary teen lit, these girls should be boring and shallow. But Beverly Cleary’s supposedly ordinary girls are complex: resentful of their mothers one moment and sympathetic toward them the next, willing to do anything for one special boy but indignant when they’re taken for granted." On the unexpectedly complex nature of Beverly Cleary's boring protagonists with Ruth Graham at Slate.
The e-book subscription service Oyster has recently launched The Oyster Review, and we have reason to be excited: the first issue names our own Emily St. James Mandel's Last Night in Montreal "The Book of the Week" and features a look at the novel written by former Millions intern Rachel Hurn.