New this week: Karen Russell’s new collection Vampires in the Lemon Grove; buzzed-about thriller The Dinner by Herman Koch; Harvest by Jim Crace; Fight Song by Joshua Mohr; the final novel of the late Maeve Binchy, A Week in Winter; Tara Conklin’s debut The House Girl; and James Lasdun’s non-fiction Give Me Everything You Have: On Being Stalked.
Tuesday New Release Day: Russell, Koch, Crace, Mohr, Binchy, Conklin, Lasdun
On the Adjunct
McSweeney’s has a few classic college movies updated for the adjunct era. Spoiler Alert: Good Will Hunting has a very different ending.
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The Handmaid’s Tale on TV
The Handmaid’s Tale is making its series debut on Hulu with Elisabeth Moss (Mad Men) starring as Offred. Get ready for Gilead.
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Pictorial Gateways
What is the best approach for creating a book cover? Over at Capatult, Tanwi Nandini Islam considers the best book cover for her debut novel, Bright Lines. Also check out this comparison of U.S. and U.K. book covers.
Beautiful Banned Books
This is cool: in celebration of last week’s Banned Books Week, Chapel Hill Public Library held a competition for local artists to create new work based on books that have been banned or challenged. Trading cards were printed from the winning selections, which you can see along with a gallery of all the entries.
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Stevenson as Kurtz
“Since the middle of the 20th century, the academy has conditioned us to stay grounded within texts and steer clear of writers’ biographies for insights while biographers are often timid about the kind of playful speculation that we can undertake here in Slate. Readers, myself included, tend to wonder about the sources for characters the likes of Kurtz, Sherlock Holmes, and Jay Gatsby—larger-than-life, mysterious, existing on a kind of separate plane—and in doing so we are continuing the quests of the narrators who tried first (Marlow, Watson, and Carraway).” Matthew Pearl asks: was Robert Louis Stevenson the blueprint for Conrad‘s Kurtz?
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From Lincoln to Napoleon
Steven Spielberg is working with Stanley Kubrick’s family to adapt a long-abandoned biopic screenplay about “the life of Napoleon” for a TV miniseries. Spielberg last adapted work from the late filmmaker in 2001’s A.I.: Artificial Intelligence.
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“Most boring meteorological significance”
Vanity Fair has an excerpt of Back to Blood in its latest issue. (Our own Nick Moran’s review of the book is worth reading before you proceed.)
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