New this week: Karen Russell’s new collection Vampires in the Lemon Grove; buzzed-about thriller The Dinner by Herman Koch; Harvest by Jim Crace; Fight Song by Joshua Mohr; the final novel of the late Maeve Binchy, A Week in Winter; Tara Conklin’s debut The House Girl; and James Lasdun’s non-fiction Give Me Everything You Have: On Being Stalked.
Tuesday New Release Day: Russell, Koch, Crace, Mohr, Binchy, Conklin, Lasdun
Private Ennui
Marlon James, winner of this year’s Man Booker prize, believes that writers of color are “pandering to the white woman.” James touched on some related topics in the conversation with novelist Jeanette Winterson that we told you about yesterday.
Tuesday New Release Day
Nemesis, the latest from Philip Roth is now out. Other new fiction this week includes Nicole Krauss’ Great House and Myla Goldberg’s The False Friend. In non-fiction, Steven Johnson takes on a thought-provoking topic with Where Good Ideas Come From: The Natural History of Innovation. Also new are Ron Chernow’s massive biography of George Washington and a new book from Bill Bryson, At Home: A Short History of Private Life.
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Russian Slapstick
“Russian humor is to ordinary humor what backwoods fundamentalist poisonous snake handling is to a petting zoo. Russian humor is slapstick, only you actually die.” Ian Frazier writes about the strange humor of Daniil Kharms for the New York Review of Books.
Three Women, Three Lives
“It’s a major work of scholarship and interpretation, but also one that some readers may foolishly reject as unimportant on account of its theme, the ultimate ‘minor’ topic in the eyes of the heterosexual masses.” In the LRB, Terry Castle reviews Lisa Cohen’s new biography.
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Guess Who’s Coming to the Awards Dinner?
Percival Everett wins the Believer Book Award, for I Am Not Sidney Poitier: “a wickedly funny, stunningly imaginative, and wholly original book that addresses, head-on, sex, racism, religion, and wealth in America.”
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Mark Twain Autobiography
Larry Rohter at the New York Times relates the darker, more cynical Mark Twain that has emerged through publication of the first volume of his unexpurgated autobiography, a century after his death: “One thing that gets Mark Twain going is his rage and resentment.”