A very big week for new books: See Now Then by Jamaica Kincaid; My Brother’s Book, the last book completed by Maurice Sendak before his death in May 2012; How Literature Saved My Life by David Shields; The City of Devi by Manil Suri; a new edition of Breakfast at Tiffany’s & Other Voices, Other Rooms by Truman Capote; The Love Song of Jonny Valentine by Teddy Wayne (see our interview today); P. G. Wodehouse: A Life in Letters; Wise Men by Stuart Nadler; debut novels Autobiography of Us by Aria Beth Sloss and Frances and Bernard by Carlene Bauer; City of Angels, an autobiographical novel by Christa Wolf; and House of Earth, the lost novel of Woody Guthrie.
What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
Writing for Banned Books Month on the PEN American Center’s blog, our own Lydia Kiesling discusses Judy Blume’s Forever. It’s a book many have “lobbied vigorously to pry … out of the hands of enthralled youth since 1975,” Kiesling writes, which should prove that such lobbyists “weren’t very good readers” in the first place.
Curious to know what the new Most Irritating Word is? Not many people agree on the number one offender, but for a while a top choice was “literally,” which evolved so much over the past few decades that the Oxford English Dictionary revised its official definition. At Slate, Katy Waldman proposed that we give the title to “amazeballs.” Now, in The New Republic, Judith Shulevitz makes the case for “disruptive,” the scourge of the tech world.