Maybe we can’t have it all, says Rachel Shteir at the Chronicle of Higher Education, but can’t women at least have another Feminine Mystique?
The End of Something
The New York Times Broadens Book Coverage
The New York Times is broadening its book coverage by adding more staffers and launching three new features: a literary advice column, a weekly Q&A about writing processes, and a column looking at “contemporary issues through the lens of recent and historical books.”
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Talking with Michelle Orange
At The Nervous Breakdown, Brad Listi sits down with Michelle Orange, who talks about writing ledes, Pauline Kael, and the story behind her new book, This is Running For Your Life. (For more, go check out her interview with our own Hannah Gersen.)
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The Patriarch
This week, Richard Ford published his first novel in a while to feature Frank Bascombe, the protagonist of his Pulitzer-winning book The Sportswriter. At Salon, our own Lydia Kiesling posits a through-line from Bascombe to a certain TV gangster, arguing that The Sopranos shares its view of manhood with Ford’s novels. You could also read our own Michael Bourne on Ford’s 2012 book, Canada.
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“Hana caraka / data sawala”
Fun Fact: the Javanese alphabet, read sequentially, comprises a pretty beautiful poem. What's your language's alphabet done lately?
Much Better Than Downton Abbey, I Promise.
When you woke up this morning, did you say to yourself, “I wish I could listen to a bunch of lectures from the University of Texas’ British Studies curriculum?” If so, you’re in luck.
Jack Gilbert Dies at the Age of 87
Jack Gilbert died yesterday at the age of 87. Gilbert was the author of five standalone poetry collections—as well as additional collected volumes such as last March’s Collected Poems—and he was also a past winner of a National Book Critics Circle Award. For The LA Times, John Penner reviews the poet’s legacy. Or, perhaps as fitting tribute to Gilbert’s life and work, better to hear his own final lines to the poem “Failing and Flying”: “I believe Icarus was not failing as he fell, / but just coming to the end of his triumph.”
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A Beautiful Alternate World
Kaveh Akbar interviews poet Wendy Xu about oppressive syntax, imaginary realms, and poems as ecosystems. As she puts it, “Poetry validates the emotional realness of the imaginary.” Pair with Andrew Kay’s Millions essay on the power of poetry.
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