Year In Reading contributor and The End of Oulipo author Scott Esposito has been reading a lot of William Gaddis’s letters recently. Over at his blog, he’s shared his favorite ten passages from Gaddis’s collected correspondence.
The Best of Gaddis’s Letters
A Dramatized Curiosity About Our Oceans
If this Curiosity was presented to you in person, it'd go like this: "Hey, Nick, you haven't posted a beautiful video in a while." "Oh, I'm sorry. Here's a 1080p visualization of the ocean's surface currents between 2005-2007. It looks like Van Gogh painted it."
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Not What You Said Before
A couple weeks ago, Matt Ashby and Brendan Carroll argued in a Salon piece that David Foster Wallace, who wrote an essay about the television and irony back in the early ‘90s, presciently diagnosed the danger of snark in our own age. Now Peter Finocchiaro, a senior editor at Salon, argues instead that we need irony more than we ever have. You could also read A-J Aronstein’s notes from the DFW Symposium.
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A Necessary Delirium
"A dark and insane fantasy about the players large and small who populated our post-9/11 landscape, it's not just the book we've maybe wanted but possibly the book we've needed — a strange lens to help us understand who we were, what we've done and who we may yet become." Nathan Deuel reviews Mark Doten's The Infernal (which Adam Fleming Petty reviewed for the Millions here) for the LA Times.
The Case of the Aching Wallet
We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question -- do money woes inspire writers to greater heights of creativity?
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Will the real Don Draper please stand up?
Chicago Magazine's charming 2009 profile of Draper Daniels, a.k.a. the real life Don Draper, written by Myra Janco Daniels, a.k.a. his wife.
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Hunter S. Thompson’s Job Application
From Hunter S. Thompson's 1958 job application to the Vancouver Sun: “And don’t think that my arrogance is unintentional: it’s just that I’d rather offend you now than after I started working for you. I didn’t make myself clear to the last man I worked for until after I took the job. It was as if the Marquis de Sade had suddenly found himself working for Billy Graham.”
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Hard to Define
"Every single book or painting or piece of music exists and we take from it what we need and love and shape it into another narrative that goes out into the world or stays within us, so it’s this great thing of one narrative piling onto the next. It’s hard to define." Miriam Toews talks with The Rumpus about her novel All My Puny Sorrows and the distinctions, or lack thereof, between autobiography and fiction.