“Tom Stoppard isn’t shy about tackling literary giants. The British playwright has rewritten Hamlet for the stage and recently turned Tolstoy’s Anna Karenina into a Hollywood feature. But he struggled with a television adaptation of Ford Madox Ford’s sprawling modernist masterpiece Parade’s End.”
Over at The Point, Spencer McAvoy writes about the language and vision of Joy Williams, a writer who “instead of drawing boundaries between us and whatever Other, posits language as an experience of self-limitedness.” Williams’s new collection of short stories, The Visiting Privilege, is one of the most anticipated books of 2015.
Well, this is awkward. When the National Book Foundation announced its nominees last week for the Young People’s Literature category of the National Book Awards, they accidentally picked a book called Shine by Lauren Myracle when they really meant to pick Franny Billingsley’s Chime.
New this week: Craig Thompson’s long-awated follow up to Blankets is here. Stay tuned for our review of Habibi later this week. Also new: Neal Stephenson’s Reamde, Aravind Adiga’s Last Man in Tower, Joe McGinniss’s much leaked exposé The Rogue: Searching for the Real Sarah Palin, and a new, posthumous collection of Shel Silverstein’s poetry and drawings, Every Thing On It.
Politico reporter Kendra Marr was forced to resign her position this week after New York Times writer Susan Stellin alerted Marr’s editors to similarities between her transportation policy story published Sept. 26 and Marr’s story published Oct. 10. An investigation by Politico into Marr’s work found seven instances of likely plagiarism. Regret the Error points out that Politico should call Marr’s stories what they are: serious plagiarism.