Gary Indiana posits that “no current literary label appealingly describes the kind of narratives [Renata Adler’s] Speedboat and Pitch Dark are.” This might be true. However in the name of moving forward with discussion, perhaps we can all go with Matthew Spektor’s summation of Adler’s debut novel: “if it’s ‘like’ anything at all, a steeplechase of [dazzling] hurdles could be it.”
Renata Adler’s Dazzling Hurdles
Icon and Author
Louis Menand, Thessaly La Force, Amelia Lester, and David Haglund have come together to discuss the influence of literary powerhouse and cultural icon Joan Didion in The New Yorker’s Out Loud Podcast. Our own Michael Bourne calls Didion America’s Truth Teller in his review of her biography.
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Tao Lin: The Next Big Thing?
At Salon, Daniel Roberts profiles Tao Lin, the next big thing in urban hipster lit. According to the skinny jeans-clad hipsters reading his books on the L train, at least. Says one: “That guy is the next big thing.”
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The Long Road
On the occasion of the publication of his novel The Madonnas of Echo Park, Brando Skyhorse writes about the decades-long path that got him there and the rules for writing that he devised. (Thanks, Steve)
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Brainy Summer Reading
The Atlantic has a great list up: “10 Essential Books for Thought-Provoking Summer Reading,” including The Late American Novel.
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Private Ennui
Marlon James, winner of this year’s Man Booker prize, believes that writers of color are “pandering to the white woman.” James touched on some related topics in the conversation with novelist Jeanette Winterson that we told you about yesterday.
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Losing It
“These writers project a mythos of healing. Their work says to the world, ‘Yes, we go on in spite of the troubles and we heal. Our stories are stories of braveness and healing. We got this.’ But I don’t got this! I’m trying to affect a calm tone. I’m losing my shit.” Luke B. Goebel reflects on anxiety, medication, and creativity at Catapult. Gila Lyons, similarly, writes on how medication affected her creative life.