Hitchcock’s North By Northwest is a great film…but is it perfect?
Just Add Anthony Hopkins
Huh. Who Knew?
“The Mariko Aoki phenomenon is a phenomenon consisting of the urge to defecate while visiting a bookstore. Originating in Japan, it is named for the woman who first publicized such an urge.”
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Wednesday Links
We’ve heard about the weak dollar making things tough on Canadian readers, but the pain is being felt by Canadian publishers as well, as profit margins diminish. The latest casualty is publisher Raincoast Books.Philip Agee died today. His Inside the Company in 1973 may have created a modern day genre, one that would be contributed to by many former agents, the CIA tell-all.The Atlantic reaches deep into the archives to bring us “The History of Children’s Books,” from 1888:It is hard to imagine a world without books for children. There have been children’s stories and folk-tales ever since man first learned to speak. “Many of them,” in Thackeray’s words, “have been narrated, almost in their present shape, for thousands of years since, to little copper-colored Sanscrit children. The very same tale has been heard by the Northmen Vikings, as they lay on their shields on deck; and by the Arabs, couched under the stars in the Syrian plains, when the flocks were gathered in, and the mares were picketed by the tents.” Children’s books, however, are a late growth of literature. Miss Yonge says, “Up to the Georgian era there were no books at all for children or the poor, excepting the class-books containing old ballads, such as Chevy Chase, and short tales, such as The King and the Cobbler, Whittington and his Cat.” We shall nevertheless see that there were English books for children (and it is with no others that we have to deal) long before this time.
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Profile of Rick Moody
At the Hartford Advocate, Craig Fehrman talks to Rick Moody about his “perplexing” career and latest novel, The Four Fingers of Death: “Moody isn’t the worst writer of his generation, but he is one of the most successful …”
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Dystopia’s Meta-Dangers
“Why write in an unlovable genre with an inevitably hectoring tone? Dystopia, situated in a dangerous no-man’s-land between the pulpit of the preacher and the safe sniper post of the satirist.” Future futurists, take note: the New York Review of Books reviews Chang-Rae Lee’s addition to your dystopic shelf, On Such a Full Sea, and ponders the virtues of the dystopic endeavor itself. (Bonus: Lee writes about his own 2013 Year in Reading here at The Millions.)
Blocked
“Trump has blocked me from reading his tweets. I may have to kill myself.” Stephen King responds to news that the U.S. President doesn’t want the author reading his Twitter account. Luckily, reports Entertainment Weekly, J.K. Rowling has stepped in, offering to DM King anything he misses (these are all sentences we regret having to write, fyi). See also: Elizabeth Minkel‘s consideration of Rowling’s second narrative thoughts.
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Katherine Mansfield: Book Reviewer
In a short biographical piece for Open Letters Monthly, Sam Sacks writes about the book reviewing career of Katherine Mansfield and the ways in which it “helped her build the writing muscles needed” to finish her masterful short stories. While some critics might take umbrage at the way Sacks characterizes Mansfield as “turning out deadline copy like an ink-stained Fleet Street hack,” his look into her reviews culminates in the realization that “the point [of reviewing books] is not to be constructive but to construct something of lasting value in the little space and little time you’re granted. Like all writing, it should be a passion, not a pastime. The point is to dazzle.”
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