According to sources for Vulture, HBO has ordered a television pilot based on Tom Perrotta’s The Leftovers, which “takes place in a world still reeling from a Rapture-like event three years earlier.” The project will be managed by Lost co-producer Damon Lindelof.
At Page-Turner, Willing Davidson interviews Karen Russell, the newly minted MacArthur Genius, Swamplandia! author and 20 Under 40 alum. The conclusion this writer came to after reading their back-and-forth? The phrases “luck lightning” and “King Doomsday” need to be used more often. (FYI, we published our own interview with Russell back in February.)
Year in Reading Alum Alexander Chee reviews Rick Moody’s latest release, Hotels of North America. “The present is too cruel for him, and yet he cannot change it, so there is this instead, sentence by sentence, a nod to the past that is really a nod to his own past. A conflation of his nostalgia for the days of his sexual attractiveness and the unencumbered power of white men, all of it dressed up as a love for old words.” To hear more from Moody, check out our recent interview with him.
"Wallace's status has rapidly evolved from marginal writer, noted for long, experimental work, to indispensable reference point for people writing about almost anything—from college football to WikiLeaks." On the powerful afterlife of David Foster Wallace.
You’ve probably heard it before: never end a story with the phrase “it was all a dream.” Unfortunately for the person who taught you this rule, many classic stories (including Anna Karenina) take place at least partially in dreams. In the NYRB, Francine Prose investigates the trope in fiction.
"[B]eing twelve is its own psychosexual dystopian satire, and I was not in on the joke." Abbey Fenbert writes for Catapult about Aldous Huxley's Brave New World, reading-while-tween, and being a seventh-grade book censor. See also: our own brave editor-in-chief, Lydia Kiesling, on reading Huxley a week after last November's election.