At HTML Giant, Catherine Lacey interviews David Shields, who says that his new book, How Literature Saved My Life, drew material from his stated identity as a “highly self-conscious lab rat.” For more, you can read our own Mark O’Connell’s review of his book in the Times.
Carolyn Kellogg rounded up a great list of “Terrible Beach Reads,” and it serves as a nice companion to Rachel Meier’s list of “Burnt-out Summer Reads.” However, if you’re looking for a few more titles that’ll keep you out of the water, allow me to suggest my all-time favorite shark-centric books: Susan Casey’s The Devil’s Teeth, Michael Capuzzo’s Close to Shore, and Doug Stanton’s In Harm’s Way.
“This is a huge generalization, but [American novels] have tended not to have all the elements that make it good for television, whether it’s too interior or there’s not enough action. The Brits tended to write more colorful stories rather than the darkness and struggle. Dickens and Trollope certainly knew how to write sequels, books that would make good ongoing series again and again. And the greatest love stories are in the Wuthering Heights and Pride and Prejudice. I don’t know what our equivalent is.” In a piece for The Atlantic Spencer Kornhaber wonders, “Is American Literature Too Dark for TV?“
“Many students do not rate their knowledge very highly… they often doubt the possibility of mastering both pen and sword. A problem like this one, I realized not long ago, demands some special assistance. Thus, with all the earnest discretion of a Victorian lady in distress, I have appealed to none other than Mr. Sherlock Holmes.” The New Republic posts an essay on teaching Sherlock Holmes at West Point.