At HTML Giant, Catherine Lacey interviews David Shields, who says that his new book, How Literature Saved My Life, drew material from his stated identity as a “highly self-conscious lab rat.” For more, you can read our own Mark O’Connell’s review of his book in the Times.
Photographer Rose-Lynn Fisher uses powerful scanning electron microscopes to provide “an unexpected view of [a] familiar subject: … human tears.”
The new issue of The Quarterly Conversation features a symposium on the work of the late David Foster Wallace, featuring essays by Edie Meidav, Lance Olsen, and Andrew Altschul…plus Scott Esposito‘s welcome defense of Infinite Jest‘s canonization.
Janet Frame’s posthumous novel In the Memorial Room is out this week, as is a new e-book edition of Jack London’s The Sea Wolf. Also out: Ask Me: 100 Essential Poems by the onetime Poet Laureate William Stafford; a new biography of Alfred, Lord Tennyson; and the latest edition of The Best American Magazine Writing.
“Mixer publishing, with guest editor Paul Tremblay (author of Swallowing A Donkey’s Eye), is offering a $1,200 honorarium for the best speculative/sci-fi story, graphic narrative (comic), or poem.” The contest deadline is June 30th.
Librarians might frown on P.D.A. in the library, that is, Public Displays of Affection by canoodling college couples. But another kind of P.D.A. might bring a different, more welcome sort of disruption to the library: Patron-Driven Acquisition, a model of e-book licensing that aims to relieve library purchasing agents from spending thousands on books nobody will end up reading.
“American television has been a juvenile medium for most of its existence,” David Simon tells Salon. This defense of ‘Treme’ was published three days after David Thier called the show “deeply boring” in The Atlantic. “There is nothing New Orleans loves so much as New Orleans” Thier says, “but the show can’t get past the desire to be authentic.” Sarah Broom, during last May’s PEN World Voices Festival, said “this ‘love of place’ is really just from people who are stuck in a lots of ways.” But hey, at least the show’s attention to detail is admirable.