This list of the ten best weather events in fiction history includes, among other things, the mud in Charles Dickens’s Bleak House and the fraught weather forecast from Virginia Woolf’s To The Lighthouse. Let’s talk a little bit more about weather with this review from The Millions.
“Bestselling self-published authors attract producers because they have a proven track record if they stay on Amazon sales charts over time.” The Guardian considers the Hollywood success of writers such as Andy Weir, E. L. James, and Mark Dawson. And just last year our own Bill Morris wondered why literature was enjoying such a good run out in LaLa Land: “Four novels as source material for Oscar-nominated screenplays? What happened? Did some pixie slip a vial of smart powder into the L.A. drinking water?”
There is going to be a documentary about Joan Didion. We repeat: a documentary about Joan Didion. This is not a drill. Watch the opening trailer and consider donating to the Kickstarter campaign here, and be sure to read our own Michael Borne‘s review of Blue Nights and S.J. Culver‘s Millions essay on “Getting Out: Escaping with Joan Didion.”
“Storytelling is an indispensable human preoccupation, as important to us all—almost—as breathing. From the mythical campfire tale to its explosion in the post-television age, it dominates our lives. It behooves us then to try and understand it.” On the inherent sameness of stories with John Yorke from The Atlantic.
Elizabeth Bishop famously exchanged letters with Robert Lowell so remarkable they were later collected and published (Words in Air). This Recording has prepared a selection of her letters to Lowell and others, including one edit focused on the year after a lover’s suicide. Pair with a meditation on the relevance of Bishop’s poetry at crucial life moments.