As you may have heard, this year marks the fiftieth anniversary of the passing of Sylvia Plath. It also, not coincidentally, marks the release of two new biographies: American Isis (the first to draw material from the recently-opened Ted Hughes archive) and Mad Girl’s Love Song (which looks at the poet’s relationship with her “big, dark, hunky boy”). Emma Garman weighs the impact of all this new scholarship at Salon.
"The notebook was there, unharmed, tucked inside a Ziploc freezer bag, with 'Sep. 8, 1909,' written in black marker." After Hurricane Irma passed over Key West, Florida, writer and historian Brewster Chamberlin confirmed the relic he had found in May was safe: a notebook containing the first short story by a 10-year-old Ernest Hemingway. See also: The Millions' own Michael Bourne's essay on Hemingway as a "Middlebrow Revolutionary."
At Bookforum, Rebecca Donner talks with former Granta editor John Freeman about his new book of interviews, How to Read a Novelist. Freeman says that he enjoys interviewing writers in their homes because it allows him to observe them more closely: “The writer thinks you're taking notes about what he's saying, but you're really writing, ‘His head looks like a lion's head.’”
Recommended Reading: Anne Boyd Rioux on J.D. Salinger, Harper Lee and the private lives of writers.
Overt at JSTOR Daily, Allana Mayer writes about visual literacy in the age of the Internet. As she explains it, “We have similar stories all throughout history: the moment when a perception—whether a literal way of seeing or a figurative mode of thinking—is assaulted and fundamentally shifts.” Pair with our own Bill Morris’s piece on the new Whitney Museum.
Daylight savings time = more daylight to read by, and as luck would have it New York Review Books is having their winter sale, so you have no excuse to be out of reading material. You can stock up on titles 50% off through the end of March / the beginning of actual Spring.