The Daily Beast interviews Tom Wolfe, who argues that America, more than two decades after The Bonfire of the Vanities, is a place where people “cannot act as if they are part of a superior class.” (For context, you might want to look at our own Nick Moran’s review of his latest, Back to Blood.)
The Incredible Shrinking Class Structure
Punctuate With Extreme Prejudice
Noreen Malone – writing in Slate – launches a rearguard action against the em-dash. Is it fair to harbor punctuation prejudice? If so, a confession: I can’t stand the ampersand.
●
●
Greed is Good Again
There’s a trailer out for the upcoming sequel to Wall Street. Gordon Gekko and his giant mobile phone are back. He is joined, regrettably, by Shia LaBeouf.
Boy Meets World, Boy Meets Girl
In a perfect mix of high and low art, Samuel L. Jackson performed a slam poem about Boy Meets World on The Tonight Show. “Daughter of hippies/Name of a gypsy/’Topanga,’ Corey cries.”
●
●
The Pen Reveals
What does handwriting tell us about its author? The Atlantic investigates. Our own Kevin Hartnett explains why he writes by hand.
●
●
The Pioneer Detectives in San Francisco
The Pioneer Detectives is coming to San Francisco! Join author Konstantin Kakaes and Gelf Magazine editor David Goldenberg at The Knockout in the Mission, Tuesday, September 17 at 6.30.
●
●
Electric Lit interviews Patricia Lockwood
Electric Literature has a fantastic interview with “viral poet” Patricia Lockwood, author of “Rape Joke,” new book Motherland Fatherland Homelandsexuals, and this prophecy: “We’re going to have something in the future that is so much more revealing than tit pics, and we don’t even know what it is yet.” Pair with: today’s new Millions piece on publishers’ struggle to turn the love of poetry into poetry sales.
●
●