The Library of America celebrates the publication of Sherwood Anderson: Collected Stories by posting audio recordings of nine famous writers reading ten of Anderson’s famous works. Hop on over to hear readings by Charles Baxter, Siri Hustvedt, Ben Marcus, Rick Moody, and Patricia Hempl.
Sherwood Anderson Read by the Greats
“I have no taste for self-revelation”
In 1970, a journalist named Joseph Epstein wrote an essay for Harper’s that came to a frightening conclusion: that Epstein would, if possible, “wish homosexuality off the face of the Earth.” The incendiary language inspired Merle Miller, a former editor at the magazine, to publish a call-to-arms, “What It Means to Be a Homosexual,” that became the basis of the book On Being Different. Emily Greenhouse puts the essay in context at Page-Turner.
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Kiley Reid on the Babysitter’s Dilemma
In Such a Fun Age, Kiley Reid used her own experience as a babysitter to explore the transactional relationship that exists when caring for someone's child.
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Tuesday New Release Day: Sweeney; Simonson; Mahajan; Feldman; Barrett; Strong
Out this week: The Nest by Cynthia D’Aprix Sweeney; The Summer Before the War by Helen Simonson; The Association of Small Bombs by Karan Mahajan; Terrible Virtue by Ellen Feldman; Rush Oh! by Shirley Barrett; and Hold Still by Lynn Steger Strong. For more on these and other new titles, go read our Great 2016 Book Preview.
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Molecular Language
Recommended Reading: Justin Taylor on Sam Lipsyte’s The Fun Parts and how “attention to language at the molecular level” creates a better experience reading and writing. Pair with our review of Taylor’s Everything Here Is the Best Thing Ever.
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Cormac McCopyEditor
Cormac McCarthy helped copy edit Lawrence M. Krauss’s Quantum Man, a biography of the physicist Richard Feynman. But, seriously, can anyone prove it wasn’t really McCarthy’s Yelp review doppelgänger?
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Appearing Elsewhere
Prospero, the new arts and culture blog of The Economist, has just posted my piece on literary Brooklyn, which explains how New York’s trendiest borough has become a vertically integrated factory for the production of fiction and poetry.
On the Ledge
“For years, growing up, I was obsessed with the thought; among my earliest memories is the desire, at age three or four, to run in front of an oncoming bus. Not because I wanted to see what would happen, but because I was sure I knew what would happen: I wouldn’t have to live any longer. I suspect there may be a suicide gene.” Clancy Martin tackles a perennially touchy subject.
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