Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)
"The repetitions, the ellipses, the onomatopoeia: All the markers of Wolfe’s stylistic DNA were adaptive mutations to a competitive climate, search-engine optimization for the typewriter age." Here's an interview with Tom Wolfe about his new novel, Back to Blood, which is receiving mixed reviews.
"Proulx’s deep reverence for the beauty and complexities of rural America has introduced millions of readers to the wide breadth of American life. Her commitment to crafting compassionate, honest stories has left an indelible mark on literature and created a powerful and enduring legacy." Annie Proulx nabs the National Book Foundation's lifetime achievement award. Check out her Year-in-Reading entry from this past year here.
Northern England has its own distinct genre of crime fiction, yet it’s never taken off abroad the way its counterparts in Scandinavia and Scotland have. In The Guardian, AK Nawaz wonders why this is, arguing that “there is an argument for a common and marketable 'Northernness' - if not an identity, then perhaps a literary state of mind.”
East of the West author Miroslav Penkov is sitting pretty these days. The Bulgarian fiction writer recently nabbed the BBC International Short Story Award for his collection’s titular story, “East of the West.” With a purse of £15,000, this is the world’s biggest prize for short stories, though typically it considers work by British authors only. However this year, due to the 2012 Olympics, the field was expanded to include international writers. All five judges unanimously picked Penkov’s work over the nine other submissions. You can read an excerpt online courtesy of Google Books, and you can get a little more acquainted with Penkov’s themes on Picador’s Tumblr.
Following Sarah Hepola's devastating New York Times Magazine profile of Cat Marnell with empathy and queer theory, Jane Hu's piece on what it means to read Marnell, to follow her and crave her work even as her work destroys her, merits reading and rereading.