Poet turned playwright Sarah Ruhl’s latest stage production, Dear Elizabeth, is based on the correspondence between Elizabeth Bishop and Robert Lowell. She recently spoke to Ruth Graham about her inspiration, and whether other writers’ letters could be adapted for the stage as well. (As an aside: you really should read The Clean House if you haven’t already.)
Neil Gaiman’s newest graphic novel isn’t even out yet, but it already has a movie deal. His update on the Brothers Grimm fairytale Hansel and Gretel with illustrations by Lorenzo Mattotti comes out on October 28, and Juliet Blake is developing a live action version. Hopefully, it’s better than Hansel & Gretel: Witch Hunters.
“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.
Over at The New York Times, Citizen author Claudia Rankine reviews Teju Cole’s new essay collection. As she puts it, “Cole attempts to untangle the knot of who or what belongs to us and to whom or what do we belong as artists, thinkers and, finally, human beings.” Pair with this Millions interview with Cole.
A group at NYU’s journalism school has named “The Top Ten Works of Journalism of the Decade in the United States.” Four of these are books: Adrian Nicole LeBlanc’s Random Family, Lawrence Wright’s The Looming Tower, Jane Mayer’s The Dark Side, and Barbara Ehrenreich’s Nickel and Dimed.